Daily Archives: August 6, 2007

Home Improvement: The Seventh Season

I’ve written before about Home Improvement,
and many other like-minded meat-and-potatoes sitcoms of the 1980s and ’90s, and
it’s shows like these that most bear out the maxim that one man’s trash is
another’s treasure.

Well, “treasure” is overstating it. Maybe “trash” too,
actually. The notion of comfort food might be a more appropriate comparison.
Just as there are times when hunger strikes independent of the ability to make another decision at the tail end of a
long day, and one finds themselves at a local haunt picking up the same
take-out they’ve ordered a hundred times before, there are also times — many
times, it turns out, and for many people — when the thought of actively
grappling with something like new characters or narrative nuance is as big of a
turn-off as a pre-liposuction Roseanne Barr in a floss-thin thong
.

Home Improvement, at least in many of its
earlier incarnations. But as this collection of the show’s seventh go-round
reflects, blue-collar inspiration has a certain shelf life
. Spanning 25 episodes,
this season of the Detroit-set show finds Tim “The Toolman” Taylor (Tim Allen) scoring box seats to a Thanksgiving
pro football game, where he somehow manages to cause a blackout. Tim’s eldest
son Brad (Zachery Ty Bryan) almost gets hitched in the episode “An Older
Woman.” Tim’s wife Jill (Patricia Richardson, who received her fourth Emmy
nomination this season) makes some rather inappropriate comments about her
husband’s fix-it-up television show in “From Top to Bottom,” while wise but
rarely seen neighbor Wilson (Earl Hindman) goes face-to-face with an alien in
“Believe It or Not.” Rounding out the cast are Tim’s mischievous younger sons
Randy (Jonathan Taylor Thomas) and Mark (Taran Noah Smith), with former Family Feud host Richard Karn costarring
as Tim’s unflappably upbeat, flannel-wearing Tool Time sidekick, Al Borland. The parade of guest stars includes
appearances from Dan Akroyd, habitually injured NBA “superstar” Grant Hill and
astronauts Ken Bowersox and Steve Hawley

Home Improvement
co-creators Matt Williams and Carmen Finestra previously wrote for iconic ’80s
sitcom The Cosby Show, so their work
retains much of that show’s good-heartedness, if not quite the same aplomb with
which the requisite “very special episodes” are handled
. Home Improvement was, of course, originally inspired by some of Allen’s
standup comedy, but little of that kick remains here — just familiar sitcom
stories with a pinch of watered-down familial drama, carried along by charisma
and goodwill. Allen has gone on to film quasi-stardom, with box office hits
like Wild Hogs and The Santa Clause franchise, proving
that he knows his audience. Here, they know him too. And that’s just the way
they like it.

Some of Home
Improvement
’s previous DVD incarnations came in novelty cases, or at least somewhat
imaginative packaging
(a buzzsaw half-slipcase, etcetera), but the seventh
season’s release sees no such fancifulness. Presented in a 1.33:1 aspect ratio
(that would full-screen), the set’s Dolby digital stereo audio track is
certainly more than adequate to handle the skimpy requirements of the series’ sound
design. There are a few times when some cockamamie scheme of Tim’s blows up in
his face, either figuratively or literally, but these bits are conveyed through
volume and aural smash cuts, not really much fading or layering. Spread out
over three discs, this compilation’s only supplemental extra consists of a new blooper
reel
comprised of the funniest outtakes from the 1997-1998 season. Flubbed
lines lead to some consternation, but unlike, say, Chris Tucker in every Rush Hour movie, at least no one leaves
their cell phone on. To order the set via Amazon, click here. C (Show) C+ (Disc)

Brett Ratner on Gay Blowjobs

So wait… gun-for-hire filmmaker Brett Ratner has accidentally gotten blowjobs from dudes pretending to be chicks? (And it’s happened to his friends, plural, as well?) That’s according to an interview with The Advocate, in which Ratner explains/defends a joke in the forthcoming, relatively uninspired Rush Hour 3 (more on this later this week). “That’s from my personal experience,” says Ratner. “My first blowjob was from a man, but I didn’t know it was a man. That’s where that comes from, it’s based on personal experience.”

“That happens to a lot of heterosexuals — you meet a girl in a bar, and it turns out she’s not a girl,” continues Ratner (After the Sunset, X-Men: The Last Stand). So that happens a lot? I’d argue its prevalence, I guess, though Ratner and I doubtlessly run with slightly different crowds. And this is exactly what freaks out Bible-belt Americans about Hollywood — the ridiculous notion of homosexuals and transsexuals as nothing but rampant tricksters out to dupe them or take unfair advantage.

I’m not sure what this says about ex-crush Rebecca Gayheart, really. But, well… who says Ratner doesn’t make personal movies, then? That’s one less criticism that can be leveled against him.

On Lions for Lambs’ Trailer

The trailer for Lions for Lambs, set for release November 9 through MGM, is up and running, and thankfully gone is the awful music from its first pass, in teaser form. It doesn’t look like quite Frank “T.J.” Mackey territory for Tom Cruise, but he is playing another silver-tongued aggressor, this time a hot-shit U.S. Senator. (Anyone else think Cruise could topline the David Vitter story if he so chose?) It’s no great fleshing out of the narrative, particularly. In fact, with Robert Redford barking, “Rome is burning, son,” and the trailer’s hammering home of terrorism being “the quintessential question of our time,” Lions for Lambs is certainly going to no significant lengths to sell itself to the hoi polloi; right now it’s The Charlie Rose Show and Meet the Press crowd or bust. Watch for at least a bit of a narrative expansion of sorts in probably about a month or six weeks.

More Thoughts on The Bourne Ultimatum

Matt Damon and amnesiac CIA assassin Jason Bourne, né David Webb — the tightly coiled, pit-bull seeker at the heart of the hard-charging Bourne trilogy.

Damon isn’t short, per se, but his compact frame hardly gives off the air of someone who’s a professional killer. What Damon does have is a swallowed intensity and intellectual awareness of his surroundings, and he impresses these traits upon Bourne, hardening his close-set eyes to match a clenched jaw of resoluteness. With Damon, you see the whirring inner motor of Jason Bourne, as he absorbs information at a high rate of speed and then translates that into both rapid analysis and breathless action. Despite any and all story points, he is the jockey driving this series, exhorting it forward in inexorable fashion. The utterly absorbing The Bourne Ultimatum, then, finally delivers some redemption for Bourne, even if it’s chiefly of the cold-comfort variety. For the review of the film, click here.

On Saw IV, False Controversy

The Saw series is always good at stirring up controversy, be it of the mock, pre-release variety or irritation in the critical community through some inane attempts to enforce an after-release review embargo. Its latest stirring of the pot falls in the former category, and comes from returning series director Darren Lynn Bousman and producer Mark Burg, in advance of Saw IV, releasing October 26.

Images from the film had previously been leaked, but I was talking with a colleague who’d been to the recent panel presentation at Comic-Con with the above, and he passed along how they said that the first cut of the film had been given an NC-17 rating by the MPAA, and that therefore the producers and distributor LionsGate had to decide whether to make trims or release the film with that rating. <roll of the eyes> Please… come on. This bit may or may not be true (it’s actually immaterial), but the fourth installment of a hugely commercial franchise will not be rated and released in NC-17 form, thereby drastically limiting its earnings potential. This is a completely transparent attempt at the manual stimulation of its hardcore audience, but one that should be recognized even by that set. I mean, is there anything “shocking” left for them to say? Other than maybe they’re setting up Saw V to be a full-fledged musical? For an in-depth description of the clip previewed at Comic-Con — a sort of nouveau human quartering, it seems — click here.