Daily Archives: August 10, 2007

Julie Delpy Dumped Adam Goldberg, I Guess…

2
Days in Paris — which she wrote, directed and stars in — is significantly
different than Before Sunrise and Before Sunset, the two chatty,
European-set relationship pictures she’s made with Ethan Hawke and director
Richard Linklater.

After all, 2 Days in Paris follows a
New York couple, French
photographer Marion (Delpy), and American interior designer Jack (Adam
Goldberg, above right), as they attempt to re-infuse their relationship with romance on the
end leg of a European vacation. But the combination of Marion’s
offbeat parents and a number of flirtatious ex-boyfriends, along with the
natural language barrier, make for choppy waters.

Now Delpy’s working overtime to maintain that the film isn’t
autobiographical, even though she and Goldberg used to date
. “We were together for
a short time, [but] truly, to me, it didn’t have much influence on the film — maybe
more for him than me,” Delpy says. “For me, I’m very detached. When it’s over,
it’s totally another world,” she says, adding a swooshing sound for emphasis
.

Still, their relationship might have been grist for the creative
mill. “I’ve always liked Adam for the idea of putting him in a movie more than
being with him,” Delpy adds with a laugh
. Then there’s a small pout of
reflection. “I shouldn’t say that. He’s not going to be happy about that.”

Jesus. And one wonders why some folks are leery of dating actors
and actresses…

Cory in the House/The Suite Life of Zack & Cody

Know thy audience is one of the commandments of entertainment, and the Disney Channel certainly takes that to heart, as evidenced not solely by the recent smash success of High School Musical and its sequel, but by some of the original series they’ve been cranking out over the last several years. Releasing on DVD this week are compendiums of two such titles, The Suite Life of Zack & Cody and Cory in the House, the latter a spin-off of sorts of Raven Knows Best.

NBC’s affably gape-mouthed Ron Mott) becomes the personal chef to the president (John D’Aquino). Alongside his friends (Jason Dolley and Maiara Walsh, above left), Cory works up a few money-making schemes while also chatting up the president, who seems to have a lot of free time.

Co-created by Marc Warren and Dennis Rinsler, Cory in the House treats its setting with just the right blend of irreverence and oh-my-bad deference. It also has a nice anchor in the very personable Massey, who conveys confidence, sputtering enthusiasm and youthful gullibility all at once. This DVD includes “Air Force One Too Many” and “Just Desserts,” along with two other commercial-free episodes. Likewise housed in a regular Amray plastic case, and presented in 1.33:1 full frame with a Dolby digital 5.1 surround sound audio track, this DVD comes with two brief supplemental featurettes — a 150-second look at guest star Dwayne “The Rock” Johnson and his time on set, and a four-minute-plus showcase for Raven Symone, who plays Cory’s fashion design-inclined sister in an episode that centers around a makeover for the uniforms of the White House tour guides. To purchase the above The Suite Life of Zack & Cody title via Amazon, click here; to purchase the aforementioned Cory in the House title via Amazon, click here. C+/B- (Z&C/Cory) C+ (Discs)

The King of Kong Thoughts

Chiefly because I have yet to find a way to create an extra
24 hours within a single day
, I’ve been remiss in dropping advance nuggets on
some of the best in forthcoming indie flicks. One standout in particular,
though, is The King of Kong: A Fistful of
Quarters
, a documentary about the battle for the Guinness Book of World Records-recognized high score on the arcade
classic Donkey Kong
, chiefly between an unassuming middle school science
teacher and a smarmy hot sauce mogul. (I personally think the filmmakers should
have gone with just the last title, but I understand both the relevance and the
zeitgeist pop of the former tag as well.)

Though it sounds wonkish and severely defined by its subject
matter, director Seth Gordon’s movie is anything but
. Family man Steve Wiebe (above right) is
the upstart hero of the piece, a straightforward, earnest guy who sets the
record for Kong — notoriously the most difficult of all the early arcade games
— and submits it via videotape, to a recognized governing body. The old
record-holder, though, doesn’t plan on going quietly into the night. That would
be Billy Mitchell, a silver-tongued and (frequently) self-proclaimed Jedi
Master of gaming, who unleashes a fascinating scheme of proxy psychological
warfare
. I’ll get into it more next week, but the movie is quite funny and even a bit heartrending at times — and
consequently, like the fascinating cultural curio Dogtown and Z-Boys before it, it’s already been tapped to be remade
into a narrative feature film. The King of Kong releases from Picturehouse on August
17 in New York and Los
Angeles
; look for its expansion in the coming weeks. For just a bit more on the movie, click here.

On Lars and the Real Girl’s Trailer

The trailer for Lars and the Real Girl, starring Ryan Gosling, is up, and it looks to be a quirky little affair. Penned by Six Feet Under scribe Nancy Oliver and directed by Craig Gillespie (the mysteriously shelved Mr. Woodcock), the movie is described as a
heartfelt comedy, centering around Lars
Lindstrom, a loveable introvert whose emotional baggage has kept him
from fully embracing life. After years of almost complete solitude, he
invites Bianca, a friend he met on the Internet, to visit him. Lars even introduces Bianca to his brother Gus (Paul Schneider) and his wife
Karen (Emily Mortimer). The catch? Bianca is a life-size doll, not a real
person
.

Gosling, of course, plays it straight and sincere in the trailer, and so a lot of the comedy lies in the reactions of those around him, chiefly Schneider, whose All the Real Girls, in all its small town quietude, seems somewhat of an influence here. The comedic elements will help this play a bit more broadly, but these dinged, nervous-guy protagonist movies — like James Mangold’s Heavy, Wayne Kramer’s The Cooler, and the forthcoming Dedication, off the top of my head, though I know I’m forgetting a couple better examples — are uphill slogs commercially without a mitigating plot point.

Now would seem to be the time where I say something like the clock is ticking on Gosling, and that he has to embrace more overtly commercial fare (what about one of these half dozen goddamned brooding comic book hero parts?) if he wants to capitalize on chance and jump aboard the stardom train. The thing is, that’s what the rather excellent Fracture was, after all — a piece of commercial work — and where did it get him? Even costarring Anthony Hopkins, the movie didn’t crack $40 million, domestically. Ergo, I’m totally on board with Gosling’s plan of avoidance. As he told me in an interview earlier this year, “My representation has pretty much given up on ever making much money on me.”

For Gosling, his choices matter heartily. He’s prepping his own directorial debut and he’s got Peter Jackson’s King Kong follow-up, an adaptation of Alice Sebold’s spare, haunting The Lovely Bones, coming up next year. Just like Johnny Depp, stardom will find Gosling when it’s damn well ready; he’s that talented. Thanks to the conviction of his performances, word-of-mouth on the guy
is sincere and lasting, so mainstream audiences will eventually come
around. And in the interim, I certainly don’t mind the adventurousness of his choices. Lars and the Real Girl releases October 12.

Daddy Day Camp DOA

I’ve written before about Cuba Gooding, Jr.’s ongoing debasement, and this was without even seeing Daddy Day Camp, which a couple publicists made repeated (and unsuccessful) entreaties for me to cover — even going so far as to (gasp!) phone, an extreme rarity in this digital age, and certainly so after a chain of email correspondence. Apparently, America pretty much agrees with my no-need-to-see assessment, as the aforementioned film arrived in theaters Wednesday with a thud, delivering just over $770,000, a $354 per screen average. It’ll conceivably pull in some family business this weekend, but the Wednesday opening was an attempt to expand and tap that market, to get them into theaters on less crowded off days before school started back up, and it failed miserably.

As for Gooding, deserved or not, he’s toxic, quite frankly. He has a dramatic supporting role in this fall’s hotly anticipated American Gangster, but the commercials and all the down-market crap are killing him. In fact, I had a fairly respected comedic actress tell me last year — off the record, but in no uncertain terms — that she pulled out of a project that turned an eye toward casting Gooding, tendering him an offer.