As I’ve mentioned before, the archives here at Shared Darkness will soon swell with past legit reviews and other material. Right now I feel disgusting and disgusted from stuffing my face for lunch (though not a hamburger, mind you), so up goes this review of Morgan Spurlock’s superlative documentary Super Size Me, originally published upon its release in 2004. To wit:
30 days; 2) he must eat three square meals a day, no excuses; 3) he must try everything on the menu at least once; and 4) he will “super size” his meal only, but always, when asked. The only other limitation Spurlock imposes is one of limited physical activity, meaning no formal exercise and only the average amount of American walking per day (a handy pedometer counts the paces).
The results are — for anyone who’s ever gorged themselves into a saturated fat coma rushing between commitments, and that would be all of us — equally astounding and completely unsurprising. Spurlock’s cholesterol jumps 65 points, he gains roughly 25 pounds and his body fat index swells from around 11 to 18 percent. Only a few weeks in, he’s stricken with vague, recurring chest pains, and advised by a doctor at one point that the damage he is doing to his liver is akin to that of an alcoholic who is on the way to drinking themselves to death.
It’s not all mindless gorging, though. In fact, the film isn’t mindless at all. Spurlock’s month-long binge is supplemented with insightful, eye-opening interviews with top medical and health professionals, including former Surgeon General David Satcher,
As a screen presence, Spurlock has an easygoing, immediately charming demeanor, and his film — which chides rather than scolds, energizes and incites more than nakedly provokes — benefits tremendously from this. Super Size Me is a rare breed — one of only a handful of select films that I can recall as being as important as it is entertaining. If you still haven’t seen it, make it part of your cinematic diet, and quickly. Just make sure you’ve eaten healthy beforehand. (Samuel Goldwyn/Roadside Attractions, PG-13, 100 minutes)
Daily Archives: August 30, 2007
Happy Birthday, Cameron Diaz
It’s a happy birthday to Cameron Diaz, who turns 35 today. To celebrate, let’s go with, say, this photo, which is probably a bit air-brushed, but certainly better than this picture.
I missed Diaz’s turn for Curtis Hanson in In Her Shoes (so sue me), and though a screener sits on my shelf (OK, in a box in my closet), in all honesty it’ll probably be another 20 years or so before I get around to it. What? I’m a busy guy. This is all to say, the above movie potentially excepted, that I’m not sure Diaz has really been challenged in a long, long time; maybe she will be in Richard Kelly’s forthcoming adaptation of The Box. But probably not. And hey, at the rate things are going, that movie might actually see the light of day before Kelly’s much re-cut Southland Tales.
Julie Delpy on The Countess
At the now not-so-recent press day for 2 Days in Paris, the subject of the next film both in front of and behind the camera for multi-hyphenate Julie Delpy
came up. A historical drama
set in the 17th century, The Countess centers
around infamous Hungarian noblewoman Erzebet Bathory, who allegedly sacrificed virgins and bathed in their blood; it looks to shoot later this fall, and/or into early 2008, costarring Radha Mitchell, Vincent Gallo and William Hurt, among others.
“It’s historical, there’s
no fantasy. And there’s no vampires,” Delpy says, repeating the latter bit four
times, perhaps for subconscious emphasis. “It’s about cruelty and power. I
always liked that Stanford experiment about putting students in the place of
jailors and prisoners. They were planning on doing the experiment for three
weeks and after five days they had to stop because total nice, normal people
were abusing people, which I think tells you what, when you have no limits [on
power], humans are capable of doing. And the film is about a woman who’s never
been affixed limits of what is allowed to be done. She’s very cruel and, it
seems, [also] very normal, but I tell a parallel story. Yes, she has the reputation
that she killed 600 young women and bathed in their blood, these young virgins.
But there’s also the other side of the coin, which is that the king owed her so
much money that they had to get rid of her, so that’s why they created this
mythical monster — a witch and vampire bathing in blood. So I tell both
stories.”
Lions for Lambs To Open AFI Fest
It’s official: after some swirling rumors for a good while, Robert Redford’s Lions for Lambs will open this year’s AFI Fest, which kicks off November 1 and runs through November 11 in Los Angeles.
AFI Fest, really, given the wide national release date of the movie (November 9, from MGM) and the boffo publicity its feting will garner, particularly if Cruise and new BFF David Beckham hit the premiere together with their wives in tow. In fact, though, this “get” wasn’t that difficult to discern; when Lions pushed back its release from October, this pairing seemed a natural launch, actually.
John Goodman Cast as Paul Bunyan
In tubby voice casting news, Exodus Film Group announced today that Golden Globe-winning actor John Goodman has been inked to voice Paul Bunyan in the upcoming CG-animated family adventure flick Bunyan & Babe. “John is dream casting for us,” says Max Howard, Exodus President and the project’s executive producer. “He epitomizes the true American spirit of Paul Bunyan.”
Set in modern times, the adaptation of the popular legend was penned by Michael Nickles and Julia Wall, and tells the story of wide-striding Bunyan’s attempts — with the help of his two adventurous kids — to rescue Babe the Blue Ox (voiced by comedian Eddie Griffin) from the evil clutches of a demented circus owner. Jim Rygiel, the Oscar-winning visual effects supervisor on the Lord of the Rings films, as well as the recent smash hit Night at the Museum, will make his directorial debut with the movie.