Daily Archives: May 28, 2007

On National Treasure 2’s Teaser

The teaser trailer for producer Jerry Bruckheimer and director Jon Turteltaub’s National Treasure follow-up, Book of Secrets, is online and in theaters, and though extremely short on action, it does a decent enough job dizzying up a plot of conspiracy centering around Abraham Lincoln assassin John Wilkes Booth, and 18 missing pages from his diary — pages which doubtlessly do not include a simple list of family muffin recipes.

Starring Nicolas Cage, the original National Treasure, from 2004, was a throwback treat — one of those rare PG-rated adventure flicks that still legitimately work for audiences above 14 years of age. It was also something of a surprise smash hit, nearly perfectly halving its $347 million box office haul between domestic and international receipts, despite the fact that its plot centered around desperately American items and contrivances, like stealing the Declaration of Independence. Future trailers will no doubt pump up the adventure in leaping fashion; full of shots of Cage pulling open shelves and peeking around, this one was for the parents. To that end, the cast, too (Harvey Keitel, Ed Harris and Oscar winner Helen Mirren, plus a returning Jon Voight), gives this project a sheen of respectability that helps mark it as terra firma for adult audiences.

Pushed back a month from the Thanksgiving perch of the original, Buena Vista will release Book of Secrets on December 21, and hope that the aftertaste of The Blair Witch Project follow-up Book of Shadows has abated. Again, to access the film’s teaser trailer, click here.

Happy Birthday, Monica Keena

It’s a happy birthday to erstwhile Dawson’s Creek troublemaker Monica Keena today, who turns 28 years old. Not sure what Monica is up to these days, really. I heard she popped up on Grey’s Anatomy, but her ship may have sailed with the unfortunate failure of 2002’s Undeclared, actually. I know she did have a small turn in Fifty Pills, which went straight to DVD; she played a dominatrix named Petunia who lives with her grandmother and scores ecstasy tablets for her clients from Lou Taylor Pucci. Wait a second, I just made that movie sound much more interesting than it is. Just stare at the above picture until the desire to rent it passes… there. Good job.

On The Golden Compass’ Trailer

The trailer for The Golden Compass has bowed, and while it has some visual effects pop, I’m not sure that, to the uninformed masses, it could look any more like a reactionary knockoff of The Chronicles of Narnia without actually being accused of nipping footage from either that film or Epic Movie.

The film — the first adapted work from yet another series of fantasy adventure novels, these by Philip Pullman — centers on a 12-year-old orphan, Lyra (Dakota Blue Richards, no doubt rocking the three names in an attempt to differentiate herself from young Ms. Fanning), who tries to rescue a kidnapped friend and ends up on an epic quest spanning parallel worlds. Nicole Kidman (above), Sam Elliott, Eva Green and Daniel Craig costar, with Ian McShane providing some burly voice work. Chris Weitz directs, (the Weitz brother not responsible for American Dreamz, but the co-director on American Pie, Down to Earth and About a Boy), and if there’s precious little in his filmography to indicate he’s particularly well versed in this sort of level of effects work, all the right strings seem to have been pulled in securing the proper state-of-the-art support staff.

Still, this is pretty baldly New Line’s grand attempt to reclaim the holiday fantasy throne, wrestled away in 2005 by Walden Media and Narnia after The Lord of the Rings series became a genre mainstay for three seasons. I mean, we’ve got the inclement weather, young children, shape-shifting creatures, a talking polar bear, et al. With the next Narnia tale not due until 2008, there’s a bit of an opening here, purely in terms of scheduling, but will moviegoers beyond fans of the book series bite? After all, audiences have a way of punishing late-comers to the party that they deem too overtly similar to previous hits. (Take 1993’s Menace II Society, for an out-of-field example; though superior in many ways to 1991’s Boyz N The Hood, it grossed $27 million to $57 million for John Singleton’s debut film.) I have a glossy advance mailing packet around here somewhere, sent to me as a teaser last holiday season, so I’ll try to dig that up and post some thoughts on it in the next week or so. In the meantime, to access The Golden Compass‘ trailer, click here. And, of tangential interest, meanwhile, for a review of Kidman’s Fur: An Imaginary Portrait of Diane Arbus, click here.

Rialto Announces Summer Midnight Slate

For those in Southern California, capping off a weekend of moviegoing with a classic cinematic experience just got easier, with the Rialto Theatre‘s announcement of its slate of midnight summer screenings. One of the last remaining single-screen movie palaces in the
Los Angeles area
, the beautiful and
historic Rialto is located in the heart of South
Pasadena
, and has been operated by Landmark Theatres since 1976. Built in 1925 and sporting a unique blend
of Spanish Baroque and Egyptian stylings, the Rialto
was added to the National Register of Historic Places in 1978. It has been
featured in many films and commercials, most notably Robert Altman’s The Player
and, more recently, Scream 2.

Alfred Hitchcock’s Rear Window will screen on Saturday, June 2, The Rocky Horror Picture Show will screen the following week, on June 9, and Steven Spielberg’s Jaws will screen on June 16. Ticket prices are $8.75. For tickets by phone, call (626) 444-FILM; for regular engagement showtimes and other information, call (626) 388-2122, or simply click here.