Daily Archives: August 16, 2006

Third Man Out

It’s
great, I think most of us would agree, that we’ve reached a point where
to be gay on screen doesn’t necessarily mean flamboyantly prancing
about
— though Sean Hayes certainly did homosexuals no favors in this
regard on Will & Grace. A case in point, though, arrives in the form of Third Man Out,
a straightforward-to-the-point-of-somewhat-flawed procedural starring
erstwhile TV pin-up Chad Allen as a gay detective caught up in a
ripped-from-the-newspapers crime story.

The title passingly evokes The Thin Man,
and purposefully so. Director Ron Oliver says in the opening moments of
a 15-minute interview compilation at movie’s end that he saw the chance
to make “a gay Nick and Nora mystery” out of author Richard Stevenson’s
serial novels
as an opportunity he couldn’t pass up. To this end, the
story centers here on Allen’s Donald Strachey, which one character
notes is “the only gay private eye in the capital area, maybe all of
New York state,” which is kind of doubtful. Still, when Strachey is
reluctantly drafted into protecting a gay activist, John Rutka (Jack
Wetherall), known for “outing” prominent citizens, he encounters a
mystery much deeper and more dangerous than he initially suspects. When
Rutka eventually turns up dead, Strachey must sift through an extensive
list of enemies, all with plenty of motive.

The dialogue and acting here are of above-average quality, though
the actual story itself and directorial execution — though obviously
done on a shoestring budget — are a bit less than stellar, suffering
from a certain obviousness
. Third Man Out works to the degree
that it does because of the careful balance in tone. Its characters are
quippy, but not flip or derisive; its tone turns dangerous, but never
so menacing as to make everything else feel out of sorts. All in all,
gay and metrosexual Law & Order fans will find ample reward in this title
, which also costars Sean Young and Woody Jeffreys.

Third Man Out sees release from Genius Entertainment alongside the first season of Dante’s Cove, a sort of mash-up of the pre-hysterical bitchery of Melrose Place (there was a time, believe it or not) and Buffy the Vampire Slayer,
wherein surf culture and gothic horror are interspersed with
supernatural mystery and quotidian relationship struggles
. Again, both
titles score points by not overly doting upon many of the struggles
traditionally associated with being gay — and particularly found in
sermon-to-the-choir independent film, I’m afraid to report — but
instead simply presenting their characters as professionals who
incidentally happen to be gay.

Third Man Out is presented in what is billed as 1.78:1
widescreen (though it looks more like 1.66:1, to be honest), with Dolby
digital 5.1 surround sound and stereo audio mixes. The aforementioned
production featurette is the sole bonus feature, but it does thankfully
cover a good bit of ground
. There’s a lot of frank discussion and broad
range of opinion on coming out, including Allen talking about his
attempted real-life extortion at the hands of a tabloid. Gay adult star
and Third Man Out bit player Matthew Rush, meanwhile (who here,
yes, plays a porn star), pops up to offer this hilarious nugget of
wisdom: “I’ve been doing a lot of stage work over the past two years,
and also adult movies, and they’re very different.” Umm, no kidding —
really? To purchase the film via Amazon, click here. C+ (Movie) C+ (Disc)

Screenings Galore, Many Free

For
those in the Los Angeles area and refusing to bow to New Line’s
penultimate act of desperation and cowardice
— which is to say its 10 p.m. “money grab” screenings of Snakes on a Plane — there’s a free screening of writer-director Bart Freundlich’s Trust the Man being held at the ArcLight Theatre in Hollywood.

A smart, sophisticated comedy about the challenges of love and marriage amongst modern day New Yorkers, Trust the Man centers on the romantic escapades of two couples: a successful actress (Julianne Moore) and her stay-at-home husband (David Duchovny), a former advertising executive; and said actress’ younger, slacker brother (Billy Crudup) and his long-suffering, aspiring novelist girlfriend (Maggie Gyllenhaal).
The film follows this flawed, friendly foursome on their pointed, often
surprising and frequently hilarious collective search for love
in the
midst of careers, family, temptations of infidelity and the
ever-daunting search for Manhattan street parking. RSVPs for the 7:30 screening are required, so click here to do so.

In Friday, August 18 tidbits, Black and Blue: Legends of the Hip Hop Cop,
an interesting documentary about the New York Police Department’s covert rap
intelligence unit
, screens for free at 3 p.m. at Rehab L.A. in Los
Angeles, followed by a Q&A with director Peter Spirer. For
directions and more information, phone (310) 566-7943. At the New Beverly Cinema,
located at 7165 Beverly Blvd., one block west of La Brea, two films
from director Lindsay Anderson starring Malcolm McDowell — If… and O Lucky Man! — screen as a double feature for only $7 admission. Mike Judge’s brilliant Office Space, meanwhile, screens at midnight at the Nuart Theatre; wear plenty of flair. Hey, plan your day just right and that’s four movies for under $17.

The Flying Nun: The Complete Second Season

It’s
become a bit of a joke in the subsequent years, even though its title
and premise seemingly augur a successful big screen adaptation in these
culturally tapered times, or at least some completely unironic, “red
state”-baiting small-screen telepic. Yes, it’s The Flying Nun,
and it’s quite dated, sure. But there’s a certain perplexing charm
often associated with seeing stars bring their talents to bear in
projects prior to their ability to more fully exercise significant
(read: staid) personal choice, and that can certainly be said of Sally
Field and The Flying Nun
.

Starring Field as bubbly,
90-pound novice nun Sister Bertrille, who uses her “jet” cornet and
ability to become airborne to stir up trouble at Convent San Tanco in
Puerto Rico, the series became an unlikely hit after being initially
rushed into production to avert the expiration of a holding deal on its
star. Although her aims are always benevolent, Sister Bertille’s means
are frequently bemoaned by Mother Superior (Madeleine Sherwood),
leaving her fellow nuns (a group including Shelley Morrison, Marge
Redmond and Linda Dangcil) to frequently help cover for her.

All 26 episodes of the show’s second season, spanning 1968 and ’69,
are included here, many of which are written by Arthur Alsberg, who
would go on to pen Herbie Goes to Monte Carlo and Hot Lead and Cold Feet

and give the loose-limbed, ever-jocular pitch and tone of those efforts
a fair workout here. The episodes are fairly self-contained, so the
show runs a little bit hot and cold qualitatively, sailing by thinly on
Field’s charms. Among the more notable episodes are “The Rabbi and the
Nun,” in which the sisters sing “Hava Nagila” at a Jewish wedding in
the convent garden; “Cast Your Bread Upon the Waters,” in which the nun
goes into the bakery business to help raise funds; and “To Fly or Not
to Fly,” in which Bertrille actually tries to stay grounded for
solemnity’s sake. Other shows — involving hypnosis, kleptomaniac
monkeys and kitschy songwriting gambits — come off as either forcedly
wacky or otherwise uninspired.

The Flying Nun: The Complete Second Season is housed on three
discs in two slimline plastic cases, which are in turn stored in a
brightly hued cardboard slipcase. As with the release of its inaugural
season, all the episodes herein are presented in their original
full-frame aspect ratio; audio tracks are in English, Spanish and
Portuguese, with optional subtitles in the latter two languages as
well. Field sat for an interview on the previous DVD release of the
first season, but unfortunately there are no episodic commentaries or
extra material
from that sit-down included here, a bummer for those
seeking an additional nostalgic fix. C (Show) C (Disc)