A socially agitative work that throws a light on a systematic American political failure, and the placement of private profit and special interests ahead of public health, Fed Up tackles the childhood obesity plague in a manner that roils the stomach and heart in equal measure. Narrated by Katie Couric, director Stephanie Soechtig’s documentary lays waste to the cruel, dismissive assessment that corpulence is simply a reflection of a lack of personal willpower, arguing that lethargy, eating to excess and other behaviors associated with being overweight are often the result of overwhelmed biochemistry, and not the root cause of obesity.
One leaping-off reference point for Fed Up is the revelatory nonfiction offering Food, Inc., which did a solid $4.4 million in theaters in 2009, while also spawning a companion book of the same name. But the more apt comparisons may be the Oscar-winning An Inconvenient Truth and 2004’s Super Size Me — films that got in the mainstream zeitgeist and seemed to alter perceptions on a fundamental level. Fed Up feels like it has the same potential, in that it elicits concern and personal reflection in similar portions. Soechtig’s film has the macro, analytical surveyor’s eye of the former film. It also has a pinch of the anecdotal pop (if not outrageousness) of the latter; its truths are self-evident and easy to grasp for a layperson, in other words.
Its makers are smart enough, too, to know what criticisms are coming their way. Fed Up sizes up the pushback-playbook of anti-regulation free-marketers (with its attendant howls of “nanny state” overreach), and shrewdly assays the lack of scientific mooring in their arguments. The association the film ultimately draws, comparing food industry causality deniers to Big Tobacco CEOs paraded before Congress, lying through their teeth, isn’t necessarily kind. But neither does it seem inappropriate. For the full, original review, from Paste, click here. (TWC/Radius, unrated, 98 minutes)
Daily Archives: May 10, 2014
Charlize Theron Inks to Star In, Produce American Express
Indie production American Express, which one presumes will either have to change its title or secure a most unusual sponsorship, has secured an attachment commitment from Charlize Theron, per the Wrap. Plot details for the film, to be helmed by The Square director Nash Edgerton, are still under wraps, but the filmmakers will be seeking funding at the forthcoming Cannes Film Festival.
As High As the Sky
A low-fi indie drama of sisterly reconnection that feels a bit like a cinematic cousin of early Miranda July, vacuumed free of any irony and collagist sensibilities, writer-director Nikki Braendlin’s As High As the Sky deserves credit for maximizing its resources and evoking a certain mood of hedged-in, wallflower protectionism — of tapping into the feeling of someone who’s withdrawn from life. In the end, though, it can’t overcome a general lack of gradation and the unconvincingly established deadpan affect of one of its central characters. For the full, original review, from ShockYa, click here. For more information on the film, which is presently available on DVD and will be available on Hulu, Amazon Instant and Cinema Libre on Demand beginning on June 6, click here to visit its website. (Aunt Kiki Productions, unrated, 93 minutes)
Legends of Oz: Dorothy’s Return

Hitching its wagon in hopeful fashion to any residual goodwill and interest from last spring’s $490-plus million surprise hit Oz the Great and Powerful, animated family musical Legends of Oz: Dorothy’s Return spins off a story that loosely picks up after the 1939 classic The Wizard of Oz. Waves of indifference emanate from this meagerly imagined yarn, adapted from a non-canonical book by Roger Stanton Baum, the great-grandson of originating author L. Frank Baum. Wasting a voice cast populated with recognizable names, this attempt to cash in on nostalgia for its source material evokes more bewilderment and boredom than excitement or wistful reminiscence. For the full, original review, from Screen Daily, click here. (Clarius Entertainment, PG, 92 minutes)