Daily Archives: June 16, 2006

Exploring Slapstick with Laurel and Hardy

First-run
DVD sales have experienced a slowdown recently, as increasingly savvy
consumers — emboldened by the convenience and abundance of choice
offered by both discount retailers and Netflix and similar rental and
DVD-sharing web sites — realize they no longer have to shell out a $30
list price to add their favorite movies to a home collection. While the
insatiable sales engine for contemporary titles stalls, though, the
real value of the format is hearteningly explored in releases like
Warner Bros.’ TCM Archives: Laurel and Hardy Collection and 20th Century Fox’s similarly titled The Laurel and Hardy Collection, part of its Cinema Classics line
.

Accidentally
paired up in the silent era of the 1920s while both were under contract
to impresario Hal Roach, Stan Laurel and Oliver Hardy made over 100
full-length features and shorts together, surviving the transition to
talkies to become even greater stars during the Great Depression of the
1930s
, when audiences more than ever craved and needed escapist
entertainment. The success of their collaborations can likely be traced
to the fact that their irresistible antics were always underscored by
an indomitable sense of optimism. Audiences laughed, sure, but also
felt a draft of uplift. That sanguinity helps explain the enduringness
of their work.

TCM Archives: Laurel and Hardy Collection debuts 1933’s The Devil’s Brother and 1935’s Bonnie Scotland,
which imports the pair’s anarchic slapstick to England and finds them
joining His Majesty’s Service to do manly battle on the frontier of
India. Introductions by Turner Classic Movies host Robert Osborne and
audio commentary tracks on both films by film critics and historians
Richard W. Bann and Leonard Maltin boost their contextual value and
stand alongside segments from such classics as Hollywood Party and Pick a Star, but the best inclusion here may just be Added Attractions: The Hollywood Shorts Story.
Narrated by Chevy Chase, this feature-length documentary frames Laurel
and Hardy’s work alongside that of the Little Rascals and the Three
Stooges, among others.

The Laurel and Hardy Collection, meanwhile, collects World War II-era flicks from the duo’s work at 20th Century Fox, including Jitterbugs, The Big Noise and Great Guns.
The latter, directed by Monty Banks, finds the duo back in the Army,
this time playing a chauffeur and gardener whose hypochondriac employer
(Dick Nelson) gets drafted and takes them along for the ride. The best
of the three, 1943’s Jitterbugs, stars Laurel and Hardy as a
traveling two-man band who operate out of a dilapidated jalopy and form
an unlikely partnership with a likeable con man (Bob Bailey) that in
turn leads to a liaison with a sweet singer, Susan (knockout Vivian
Blaine). The Big Noise, meanwhile, casts the pair as detective
agency janitors accidentally mistaken for super sleuths and hired to
protect a secret bomb. Still photo galleries, audio commentary tracks
from author Randy Skretvedt, Fox Movietone news reels and theatrical
trailers help root the work, and the documentary The Revenge of the Sons of the Desert is also included on The Big Noise.

Qualitatively, TCM Archives: Laurel and Hardy Collection gets a slight nod over The Laurel and Hardy Collection,
if only because of the quality of the films themselves. But each of
these releases is a great leap into cinema’s rich past, and points up
the reward of searching past the new releases section at your local
video store or retailer. B (Movies) A- (Discs)

NewsRadio: The Complete Fourth Season

Lost has recently gotten all kinds of credit for juggling an insane number of characters, but NewsRadio
was probably the finest small-screen comedic ensemble collection of the
1990s
. Created by Paul Simms, the series never achieved the sexy
zeitgeist heights of a show like Friends, or even the sturdy ratings of something like Frasier, but for those in the comedic know, it was home to laughs born of irony, crisp joke-writing and serial silliness.

What makes NewsRadio
so smart and funny is its blend of disparate comic styles, and the
screwball manner in which it captures the absurdity of inner-office
politics and romance.
The show is set at WNYX, a New York radio station
owned by Jimmy James (Stephen Root), an oblivious and eccentric
billionaire. Overworked but perennially positive-minded news director
Dave Nelson (Dave Foley) struggles to juggle the multiple personalities
of his staff, including ambitious ex-girlfriend Lisa Miller (Maura
Tierney), who spells him as boss some this season, and preening,
bombastic anchor Bill McNeal (the late, great Phil Hartman). Rounding
out the cast are distractible office idiot Matthew (Andy Dick),
bubble-headed slacker secretary Beth (Vicki Lewis), electrician Joe
(Joe Rogan) and Catherine (Khandi Alexander).

In all honesty, this season of the show isn’t its finest (half-)
hour.
The series was constantly facing cancellation speculation, and
consequently its narratives feel somewhat clipped and uncertain. Too
many episodes recycle old conflicts. While this wouldn’t be the series’
last season, it would be the last one with Hartman — who can take a
simple line reading like “And how!” and turn it into high art — and his
sudden, heart-rending absence dealt the already hamstrung show a blow
from which it would never recover.
Still, middling NewsRadio is
better than a lot of sitcoms hitting on all cylinders, and there’s
plenty of piecemeal amusement to be found herein. One episodic
highlight is “Beep Beep,” in which Jimmy gives Matthew a toy car in
which to tool around the office as a birthday present, and also tries
to get Dave and Lisa back together in an effort to goose their
productivity. Also scoring are “Copy Machine,” in which Dave is forced
to eulogize an employee who dies in a tragic office mishap, and the
two-parter “Who’s the Boss?” in which Dave and Lisa’s attempts to teach
Bill a lesson backfire to humorous effect.

Spread out over three discs in slimline cases, NewsRadio: The Complete Fourth Season
is presented in 1.33:1 full screen, with a Dolby digital 5.1 surround
sound English mix and optional English subtitles. Extra features are
relatively sparse, but include an amusing little experimental short
film in which Simms inserts himself into the show’s credits
and
recreates various seasonal plotlines in miniature, playing each of the
characters. There are also a clutch of audio commentaries with Simms,
Lewis and writer-producer Joe Furey
, which are interesting chiefly in
that they’re also sat in on by a collection of below-the-liners not
typically represented in behind-the-scenes chats: post-production
coordinator Todd “Spider” Chambers, second assistant director Michael
Risner and script supervisor Robert Spina. Finally, there’s a whopping
20-minute gag reel
, which includes spittoon rimshot miscues, Foley
accidentally leaving his glasses on and errant Diet Cokes slipping into
frame, as well as a litany of (bleeped) profanities when lines are
flubbed. Watching these genial gaffes, one yearns for Hartman even
more. B+ (Show) B (Disc)