Nobody can push buttons of exasperation and pull levers of hair-trigger emotional reaction quite like family — those folks who know all of the faces of the past you’ve tried to shake and shed. That truth is borne out in Julie Delpy‘s witty, winning new comedy of relationships and culture-clash, 2 Days in New York. A nominal follow-up to 2007’s 2 Days in Paris, in which Delpy played the same character with a different love interest, this rather delightful romp eschews complicated plotting to instead luxuriate in and connect via a fresh, fun, wound-up energy all its own.

French-born photographer and artist Marion (Delpy) lives comfortably with her radio talk show host boyfriend Mingus (Chris Rock) and their two children from previous relationships. But on the eve of a big show — the centerpiece of which is a conceptual piece in which she’s offering up her soul for sale, for $10,000 — Marion gets plenty of extra stress when her family arrives for a visit. This includes her over-sexed sister Rose (Alexia Landau); her sister’s outrageous, weed-obsessed boyfriend Manu (Alex Nahon), also one of Marion’s exes; and her merrily bizarre and gregarious father (Albert Delpy), who thinks showers “deplete the immune system.” Falling back into old patterns, Marion starts spinning out of control, and this new glimpse of craziness puts Mingus further on edge.
Delpy collaborated on the script with Landeau and Nahon — each of whom also reprise their characters from Paris — and it’s clear that their offscreen rapport informs much of the rapid-fire bickering and gussied-up misunderstanding that fuels the movie’s comedy. Yet Delpy’s worldview and tone — neurotic, but knowing — also echo a female Woody Allen by way of Lina Wertmüller, funky and funny without tipping over into tedium or speechifying. Much of this balancing act owes to her directorial style, which is light and playful throughout, incorporating photo montages and a bouncy score of her own composition.
The pairing of Rock and Delpy is also a true delight. It gives Rock a chance to stretch a bit and do something different while also playing to his verbal strengths. Mostly, though, 2 Days in New York simply provides a showcase for the unexpected mash-up of Rock and Delpy’s respective styles and rhythms. It’s the same premise, basically, behind Nicole Kidman and Will Ferrell’s casting in Bewitched, except that Delpy’s loose-limbed, lived-in movie is actually funny. A couple days with this brood will put a smile on one’s face. For the full, original review, from ShockYa, click here. For a one-on-one Q&A chat with Delpy, meanwhile, click here. (Magnolia, R, 91 minutes)
Daily Archives: August 16, 2012
Director Christopher Neil Talks Goats, Famous Film Family
Goats is Christopher Neil’s first film as a director, but he has both an unusually deep connection to the material and an amazingly sturdy foundation of cinematic experience from which to draw. An adaptation of Mark Jude Poirier’s rangy novel of the same name, the film tracks the coming-of-age of Ellis (Graham Phillips), a 15-year-old Tucson native who leaves behind his New Age hippie mom (Vera Farmiga) and his best friend — an affable stoner and their live-in gardener, named Goatman (David Duchovny) — to attend an East Coast prep school where his estranged father (Ty Burrell) once matriculated. I recently had a chance to speak to Neil one-on-one, about the movie, marijuana and his connection to the Coppola clan. The conversation is excerpted over at ShockYa, so click here for the full read.