Daily Archives: March 1, 2012

American Teacher

An inoffensive but hardly essential piece of occupational boosterism, American Teacher provides a look at the public education crisis in the United States through the eyes of those often lambasted or pilloried as somehow being a bigger part of the problem than of the solution. Directed by Academy Award-winning director Vanessa Roth, the documentary spotlights the extraordinary personal sacrifices that a lot of instructors make by choosing to teach — as well as how qualified and otherwise passionate people are sometimes driven from the field by the rocky shoals of hard-knock financial reality. Many of the subjects here are inspiring, but, sadly, American Teacher comes off as more of a staid, herky-jerky stump speech than a fiery and clarifying call to action.

Supposedly narrated by Matt Damon (I say supposedly only because it sounds very little like the Oscar-winning actor, as if he’s trying to drain the personality and tone out of his voice), the film purports to chronicle the stories of a quartet of teachers — Harvard graduate and New Jersey elementary school teacher Rhena Jasey; seventh grade Texas gym coach and history teacher Erik Benner; pregnant Brooklyn first grade instructor Jamie Fidler, herself the daughter of a teacher; and Jonathan Dearman, a role model at a predominantly African-American San Francisco high school. American Teacher gives each of these individuals an actual arc; they’re speaking on their personal experiences, and what teaching has both meant to them and, in different ways, cost them. This is an interesting tack, one not often associated with nonfiction films of a certain persuasive mien. Interspersed with their recollections and insights, though, is a wide variety of other talking-head footage, which comes across as scattershot in its inclusion and placement.

American Teacher is at its best when underlining what those who lamely trot out the tired old cliche that “those who can do, while those who can’t teach” fail to acknowledge or even entertain — namely, that teaching, for those who are truly invested in the work, is among the most intellectually rigorous occupations. After all, teachers are constant, active decision makers — not only working to circumvent certain social constructs, but developing, sometimes even on the fly, relatable ways to not only impart information but also a complementary, contextual reasoning of why these facts and skill sets are important.

Too frequently, though, the movie loses sight on this theme, slipping off into statistical homilies (that 46 percent of teachers are out of the field within five years, for instance, which creates additional structural costs and places even more enormous strains on dwindling resources) that are related, yes, but hijack the movie’s emotional momentum. Good teachers — the ones that inspire and open your eyes to a world of both possibilities and responsibilities larger than you’d heretofore considered — are an invaluable commodity. By showing how we’re failing those charged with actually developing our kids, American Teacher has the chance to locate an unexpectedly emotional connection to the sedate issue of education. Too bad, then, that it loses focus and takes its eyes off the prize, unnecessarily substituting macro lessons when its localized examples pack more of a punch.

Housed in a regular plastic Amaray case, American Teacher comes to DVD presented in 1.85:1 widescreen, with optional English SDH captions and a Dolby digital 2.0 stereo track that more than adequately handles the title’s straightforward aural demands. Under a motion menu, the movie is divided into nine chapters, and contains a limited slate of bonus material in the form of excised interviews. Additional expert outtakes, running about five-and-a-half minutes, allow Linda Darling-Hammond, Mark Bounds, Carina Wong, Brad Jupp and Sabrina Laine more time to opine on adolescent education (Darling-Hammond ruminates on teaching being regarded as a feminized profession, and why that may have something to do with a historical lack of respect accorded it), and again sometimes compares American schooling to education aboard. Four minutes of extra interview material with the teacher subjects further expands their respective backstories, while an additional 12 minutes of interview material highlights what great teaching looks like, as characterized by Darling Hammond, Secretary of Education Arne Duncan and others. For more information, or to purchase the DVD via First Run’s website, click here. If Amazon is totally your thing, however, click here. You can also learn more and get active via AmericanTeacherMovie.org. C (Movie) B (Disc)

Geek Charming

Not only for helping launch the careers of erstwhile Mouseketeers Britney Spears, Justin Timberlake and Christina Aguilera has the Disney Channel proven enormously successful at peddling impeccably groomed, smoothly packaged, sexually non-threatening pre-teens. Miley Cyrus (pre-salvia and stripper pole) and any number of other entertainers have cut their teeth on peppy and demonstrative sitcoms that peddle cuddly pat-drama fantasies and occupy the exact opposite end of the spectrum that shows like Beverly Hills, 90210 and Gossip Girl did and now do. Those series have the effect of pulling along pre-pubescent adolescents into teenage drama prematurely, while a lot of Disney series and made-for-TV movies aim to have a dampening or delaying impact. Diff’rent strokes, you know?

Geek Charming‘s story charts Dylan (Modern Family‘s Sarah Hyland), a well-off girl who meets cute with A/V wallflower Josh (Matt Prokop) when he rescues her expensive handbag from a mall fountain, and subsequently agrees to be the subject of his new documentary. Ahh, though, therein lies the rub. While Sarah views this as just another cool and important piece of publicity and brand extension that will benefit her campaign for the local title of “Blossom Queen,” Josh is out to craft a hard-hitting look at popularity. As he gets to know her more and Sarah drops her guard a bit, Josh sees a girl he believes to be more interesting than the facade she’s crafted. Will he be able to convince her to let him show that girl to the world, however?

Scripted by Elizabeth Hackett and Hilary Galanoy, and directed by Jeffrey Hornaday, Geek Charming is a light and fluffy piece of entertainment, an inoffensive showcase for its onscreen talent and below-the-line artisans as well, with its colorful costuming and set design. Think of one of the conflicts in Reality Bites — when Winona Ryder’s character finds her video work compromised by Ben Stiller’s corporate jockey — and put a slight spin on that, cross-pollinate it with High School Musical, subtract songs, add feel-good moralizing, romantic myopia and artificial sweetener of your choice, then serve chilled. It’s a snore for anyone over 18, really, but Hyland and Prokop are attractive and engaging enough to keep things moving along and interesting for the movie’s intended audience.

Housed in a regular plastic Amaray case with a sleeve printed on recycled paper and in turn stored in a cardboard slipcover, Geek Charming comes to DVD in two different packagings, the best being a two-disc combo set which also includes 10 bonus episodes selected from over three seasons’ worth of the Disney Channel show Shake It Up, as well as a pair of matching little charms, which seem like an innocuous throw-in aimed at the tween girl demographic. The movie itself is presented in 1.78:1 widescreen, with consistent colors and no edge enhancement or grain issues, and a Dolby digital 2.0 stereo mix. If you’re expecting a hard-hitting behind-the-scenes expose on Hollywood entertainment production or cast interviews about the nuances of their characters, however, you’re looking in the wrong spot, mates. C (Movie) C+ (Disc)

Dr. Seuss’ The Lorax

A colorful, vivacious and faithful CG-animated adaptation of Dr. Seuss same-named children’s book, The Lorax delivers a peppy juvenile adventure along with an underlying ethical message that advises against greed and rampant overconsumption. Some talking heads on the far right side of the political spectrum have already decried this part of the movie as indoctrination, but the fairly innocuous moral slots in comfortably with a burgeoning eco-consciousness that should make the film a solid commercial performer with family audiences, even if it rather heartily leans on kid-pic conventions, and there’s a fundamental disconnect between story elements as discussed and actually rendered. For the full, original review, from Screen International, click here. (Universal, PG, 85 minutes)