Daily Archives: July 30, 2011

Jean-Claude Van Damme Talks Assassination Games, Facebook

If the Beatles and the Rolling Stones spawned their own dueling fan bases, connoisseurs of late 1980s and early ’90s action flicks often have their own disagreements about the merits and appeal of Steven Seagal and Jean-Claude Van Damme. While the former generally smashed heads and cracked skulls with the disposition of a sullen ox, the latter had a more compact frame, and a kind of balletic karate skill set to match a slightly more engaging personality. Known as “The Muscles From Brussels,” the Belgian-born Van Damme would put his stamp on the action genre with a string of increasingly profitable hits like Death Warrant, Double Impact, Universal Soldier and Timecop, the latter two of which were $100 worldwide smashes.

Changing tastes and struggles with drug addiction would combine to derail the genre actor, but Van Damme turned heads with 2008’s JCVD, in which he played a sad-sack version of himself, and he’s been acting again (and even directing) with regularity. In his new movie, Assassination Games, Van Damme portrays a contract killer who reluctantly teams up with a man (Scott Adkins) driven by vengeance after his most recent hit goes sideways. I had a chance to recently submit some questions by email to Van Damme, about Assassination Games, the arc of his career, the upcoming sequel to The Expendables and more. The intriguing answers, inclusive of his Facebook updates and love of dogs, are available over at ShockYa.

All In: The Poker Movie

With cable channels, poker is, literally, now on television every day of the year, oftentimes for many hours. Powered by an explosion in online playing, it’s a multi-billion-dollar industry, and a far cry from the late 1980s and early ’90s, when the game was in decline. These trends and more get spotlighted in Douglas Tirola’s All In: The Poker Movie, an achingly comprehensive documentary that unfolds in scattershot form, yet still remains entertaining enough to engage non-players, even as it neglects to provide a basic overview of different styles (the insidious, divisive creep of “Texas Hold ‘Em”!) or indeed a working definition of the game itself.

Celeb aficionados like Matt Damon, Jennifer Tilly, Denny Crum, Evander Holyfield and The Simpsons co-creator Sam Simon get face time here, but most of the interviewees are industry insiders, whose stories — about high-stakes, secret Mayfair Club matches, or Henry Orenstein’s card camera innovation, which helped make poker watchable for the layperson — are interesting and colorful. There’s plenty of high-falutin’ talk that wildly lionizes the game (I’m willing to entertain a description of it as “the epitome of capitalism,” and emblematic of the American spirit, but less certain that poker is “love, life, religion and politics, all wrapped up into one”), yet Tirola has clearly cast his net far and wide. Using Chris Moneymaker, a self-described “gambling degenerate” and Joe Everyman who pulled off a shocking victory at the 2003 World Series of Poker, as his narrative spine is also a good choice. It gives All In some semblance of normal heartbeat, even if a viewer doesn’t know a straight flush from a full house.

Don Cheadle Talks The Guard, Planned Miles Davis Film

Don Cheadle first garnered a lot of mainstream attention with his performance opposite Denzel Washington in Devil In a Blue Dress, for which he was awarded the Los Angeles Film Critics Association‘s Best Supporting Actor prize. Since then, of course, he’s appeared in a wide variety of mainstream and independent films, earning a Best Actor Academy Award nomination for the searing Hotel Rwanda, and further burnishing both his sociopolitical and off-camera professional credentials as one of the producers of the Oscar-winning Crash, which he was instrumental in helping get made. Heck, he was even nominated for a Grammy Award in 2004, for his narration/dramatization of the Walter Mosley novel Fear Itself.

In his new film, writer-director John Michael McDonagh’s The Guard, Cheadle plays a FBI agent, Wendell Everett, who arrives in rural Ireland to head up a large international drug trafficking investigation, and is then forced to rely on an eccentric small town cop, Gerry Boyle (Brendan Gleeson), with a confrontational and crass personality. I had a chance to chat one-on-one with Cheadle recently, about working up a multi-layered accent for the film, the subversive racial humor coursing through this most curious and entertaining little dramedy, and his work on a long-gestating movie about Miles Davis, which will hopefully begin shooting in several months. The conversation is excerpted over at ShockYa, so click here.