Daily Archives: November 6, 2010

Trapped in an Elevator

Its conceit would be a great horror movie to some (and I’m sure it will be the claustrophobic setting of some enterprising low-budget genre breakthrough, if it hasn’t already), but Trapped in an Elevator, the latest PBS Nova title to premiere on DVD, just lacks enough inherent intrigue or narrative meat on its bones to make it interesting or worthwhile to any reasonable slice of a mainstream audience.

The release’s back cover text peddles statistics as ominous-factoids-in-waiting (“Across North America, elevators move 325 million passengers every day, and most of the time people don’t give them a second thought…”), but Trapped in an Elevator is chiefly a look at the brainy, nuts-and-bolts makeover of elevator computer control panels. Writer-director Joseph Seamans attempts to paint this as potentially dangerous for our individual and collective future (entrusting our vertical movement to, gasp, technology!), and narrator John Lithgow gamely breathes concern into voiceover text. But this is all a big yawn, really. On his Comedy Central show last year, Daniel Tosh did an amusing “web redemption” segment on a guy that got trapped in an elevator for 41 hours, and that three-minute bit is more entertaining and engaging than all 56 minutes of Trapped in an Elevator.

Housed in a regular plastic Amaray case, Trapped in an Elevator comes to DVD presented in 1.33:1 full screen, with an English language stereo audio track. There are no supplemental features, or stickers of the most over-elevatored buildings in the world. To purchase the DVD, click here, or phone (800) PLAY-PBS. Or, if Amazon is totally and irreversibly your online retailer of choice, click here. C- (Movie) D (Disc)

Megamind Scrubs “Welcome to the Jungle” Lyrics

Tangentially, one interesting thought Megamind raises is how movies like to make easy use of known pop and rock songs, but always frequently take care to work up creative bridge-to-bridge edits or other choral snippets, to get the emotive/cathartic “meat” of a tune while scrubbing any lyrics that are either potentially offensive or overwhelm/run counter to the moment being presented in the film. Megamind does this fairly liberally, since it works in two cuts of AC/DC and a healthy dose of Michael Jackson‘s “Bad,” but the moment that most stood out to me was its sound mix tweak of Guns ‘N Roses‘ “Welcome to the Jungle,” which of course has a monstrous, get-pumped opening riff. The movie dips its complementary audio track and pumps up the dialogue mix at a couple key moments, making sure characters’ lines cover the lyrics, “If you got the money, honey/We got your disease” and “I wanna watch you bleed.”