Daily Archives: June 10, 2010

P-Star Rising

You hear a lot of rap stars talk about their musical aspirations, particularly as slotted in competition against other artists, as being part of “the game.” (Hell, one rapper even named himself after it.) Director Gabriel Noble’s festival-minted documentary P-Star Rising illuminates that concept — of music as less specifically and solely the outlet for artistic expression, and more an occupational lifeline that happens to take place in a cutthroat, often manifestly unfair environment.

Spanning four years, the movie examines the intriguing and unusual tale of single dad Jesse Diaz and his nine-year-old girl, Priscilla, an aspirant rapper. She’s not some out-of-left-field prodigy, however; in the early 1980s, Diaz was a rising hip-hop star, and so he’s impressed upon his daughter a participatory love for the musical genre. Noble’s film follows this father-daughter duo through various ups and downs both in the music industry and out — late nights in the studio, performances around the world, music label
negotiations, home schooling, and financial shakiness — as Priscilla attempts to land a record deal and become a superstar.

P-Star Rising is engaging in large part because of the gulf in self-awareness between its adult and adolescent characters (Priscilla talks with disarming, what-are-you-gonna-do? frankness about her absentee crackhead mother), and how those eventually cross, or meet up. Diaz is one those curly-haired guys who wear lots of sports hats and jerseys, and ridiculous jewelry on thick gold chains (Jeffrey Wells might call him a Hispanic party elephant), and he doesn’t really seem to have an appreciable grasp on the damage it can do to a kid to try to make them your primary breadwinner (see: Lindsay Lohan). Five years older than Priscilla, daughter Solsky is an intermediate voice of reason and support.

Diaz and his daughters go through a lot, from living in a shelter to getting their own little place and grappling with the difficulty of paying bills. While she has some talent, it’s interesting to see how Priscilla negotiates the mountain pass between wanting to both please and help provide for her father and, eventually, figure out (at least a little bit) if this is something in which she’s sincerely interested in of her own accord. Whatever one makes of her dreams, and whether or not air quotes should be applied there, young Priscilla, who has found a home on PBS’ The Electric Company while she continues working her music career, at least engagingly makes the point that it’s neither all nature or all nurture when it comes to charting one’s future.

Housed in a regular plastic Amaray case, P-Star Rising comes to DVD presented in a 1.78:1 aspect ratio, with an English language stereo audio track. Bonus features consist of a music video (titled “Daddy’s Lil’ Girl,” don’tcha know), in addition to another 15 minutes of excised scenes, comprised almost wholly of early studio footage of young Priscilla. To purchase the DVD, phone (800) PLAY-PBS, or click here; if Amazon is totally and irretrievably your thing, meanwhile, click here. C+ (Movie) B- (Disc)

Naturally Obsessed: The Making of a Scientist

The genetic mysteries of weight gain get put under the microscope in this hour-long PBS documentary from director Richard Rifkind, which tracks a trio of PhD students as they attempt to decipher the elusive protein that controls human appetite.

Smart, focused and affecting, Naturally Obsessed: The Making of a Scientist works so well because it tells a vivid, suspenseful story in the most elemental terms. Centered around three biology graduate students working under Columbia University Medical Center’s Dr. Lawrence Shapiro, the movie charts their parallel quest for scientific success and stardom in addition to academic achievement. Competing in a worldwide race to be the first to publish their findings, the students are out to discover the molecular switch that controls appetite in the human body. Their road to success combines years of trial and error with unflinching dedication, rock-climbing, rumors of pickle juice and, yes, even the music of the Flaming Lips.

Scientist-turned-filmmaker Rifkind does a couple smart things with his movie, tapping into the rich thrill of discovery that drives scientific inquiry, and making it seem cool and palpable in a way that a lot of science-related films (and science teachers, sadly) simply do not. He also gives viewers a sense of investment and rooting interest in the students’ quest, attaching it to a broader social relevance. You might not totally want to go back to high school and pay more attention in biology class, but you’ll certainly have a deeper appreciation of those that did.

Housed in a regular plastic Amaray case, Naturally Obsessed comes to DVD presented in widescreen, with an English language stereo audio track. Unlike a lot of educationally inflected NOVA and PBS titles, this disc has a small clutch of nice supplemental features, throwing a spotlight on basic research and drug design and the educational pipeline that will provide our future generations of scientists. There’s also a discussion guide PDF for teachers, with advice on how to get their own students involved in research activities. To purchase the DVD, phone (800) PLAY-PBS or simply click here; or, if Amazon is totally your thing, click here. B+ (Movie) B (Disc)

Les Grossman Gets His Own @#&*$ Movie!

Those who pooh-poohed Tom Cruise’s cameo in Tropic Thunder are proven wrong, with today‘s announcement that the character is getting his own spin-off movie, his “life rights” having been secured by Red Hour Films’ Ben Stiller and Stuart Cornfeld, who will co-produce. This is a win for Cruise — something that reinvents him and keeps him “hip,” or at least tangibly connected to a younger generation — but also something of a departure for a guy who, in his career, has frequently made Delorme cartographers look like radical, free-wheeling anarchists. I don’t yet know of Scott Pilgrim Vs. the World, but screenwriter Michael Bacall had better figure out a way to make Grossman a bit less voluble, to temper his excesses. He’s more naturally a supporting character, in other words. Ninety-plus minutes with someone this “on” can be debilitating.

Toy Story 3

Locating a winsome blend of peppy ensemble adventure and nostalgic reflection, Toy Story 3 is the type of film adults might goad their just-as-eager children into seeing again. Coming 15 years since the first film revolutionized animated storytelling, and over a decade since the last installment, this chapter again imaginatively details some cooperative toy questing, while also movingly assaying change, and what it means for the fundamental nature of a relationship to be irrevocably altered. For the full review, from Screen International, click here. (Disney/Pixar, G, 102 minutes)