I wrote a bit earlier about the directorial debut of former Chasing Amy star Joey Lauren Adams, Come Early Morning. Starring Ashley Judd as a woman struggling to overcome the familial dysfunction around her, Come Early Morning is a movie driven by slow revelations,
subtext and inner quietude, and while it’s not a perfect movie, amidst the cacophonous offerings of today’s
cinematic landscape, on balance those are certainly welcome things.

Adams has an interesting and
steadfastly unflashy (read: un-commercial) predilection for uncommunicative standoffishness, and
Judd can take these scenes and quietly make them naturally gripping without
injecting too many streaks of overt showiness. For the full review, from IGN, click here.