So Hillary Clinton is already — and unsurprisingly — being awarded a primary victory in West Virginia, and it’s due in no small part to voters like this, I’m sad to say: “He’s a Muslim and, you know, that has a lot to do with it. I just rather have, you know, Hillary.” Ugh. In a certain way, her ilk are worse than those who promulgate this stuff, because she chooses to believe in a vast conspiracy that reinforces her prejudice.
Category Archives: Politics
John Ridley Raps Exit Polls
U Turn and Undercover Brother screenwriter John Ridley has weighed in against exit polls in a Huffington Post piece, saying, “The conclusions drawn from these excavations usually reflect the
media’s own bias” and “with each round of voting the media echo chamber tends to
magnify the disparities of each subset. Again and again we are told the
black vote has abandoned the Clintons, older white women don’t connect
with Obama. This repetition breeds resentment; how dare ‘those people’
not support my candidate? In short order our own opinions about those
who abandon and those who refuse to connect calcify into animosity,
making it hard for us to see the ‘other’ candidate as potentially ‘our’
candidate.” For the full piece, click here.
Tom Hanks Endorses Obama, Personally
I quadruple-rarely visit MySpace (the garbled layout and interface is a deep affront to me), but a friend just recently pointed out to me that Tom Hanks, on his MySpace page, has endorsed Barack Obama for president in a self-directed video spot that’s candid, thought-provoking and smartly self-effacing. His personal profile is also pretty hilarious, too: “I’m that actor in some of the movies you liked and some you didn’t. I’m
taller than some folks think, not as tall as a lot of people. Sometimes
I’m in pretty good shape, other times I’m not because, hey, you gotta
live, you know?” Well said, Tom.
Obama, Clinton and a Positive Vote
Kotori magazine editor-in-chief Wasim Muklashy has weighed in on the battle for the Democratic presidential nomination, and in particular the inherent difference a lot of people feel between a vote for Hillary Clinton and a vote for Barack Obama, with the implication being that he’s cast the former, but now feels a twinge of regret. “I love my country,” Muklashy writes. “Although I hate and abhor
some of the things it has done and continues to do, I do… I love my
country. Yet even more importantly than that, and undoubtedly more
patriotic than simply loving my country, I love what our country still
has the opportunity to be.” That hope, and chance for something different, Muklashy argues, resides in the junior senator from Illinois.
Yes, there’s no doubt that some of the golden sheen of Obama as an avatar of the new has been diminished by the Reverend Jeremiah Wright dust-up. And future issues will further bring Obama down to Earth. Both the reptilian nastiness of general election fear-mongering and the gear shifts of imposing practicality in governance will do that. But Muklashy gets it, what a lot of people — particularly younger voters and those drawn into the process for the first time in a long time, if ever — feel about the double weight of a positive vote. That is to say not just against one candidate, but heartily for another — and the collective, surging sense of societal optimism which that in turn can elicit. Pooh-poohers will continue to deride this as only ephemeral, but there are real-world consequences to taking new roads, and making bold choices, especially when it comes to getting America’s best and brightest again interested in public service over private sector lucre, and invested in politics as a honest, forward-leaning tool for societal betterment, not personal power and gain.
Lesbos Islanders Dispute Gay Name… In Court
So weight-of-a-word campaigners on the Greek island of Lesbos are going to court to try to stop a gay organization from using the term “lesbian,” asserting that the use and dominance of the word in its sexual context violates the human rights of the 100,000 residents of the island, and disgraces them around the world. Having I guess just now figured out that homosexuality wasn’t a fad, lawsuit proponents view this as the first step in an international fight against the word. In related news, I also wonder who will file a libel and/or defamation lawsuit on behalf of the word “niggardly”?
John Cusack Talks War, Inc.
In advance support for War, Inc., releasing May 23 from First Look after its not very well received Tribeca presentation, writer-actor John Cusack sits for an interview of decent length with the English language Al Jazeera channel, which can be found in two parts on YouTube (part one here, running six-and-a-half minutes; part two here, running 13-plus minutes, the first five-and-a-half of which can be skipped since they focus on celebrities more broadly). A political satire about the privatization of war — co-written by Cusack, with Mark Leyner and Jeremy Pikser (who did good things with Bulworth), and starring he, Marisa Tomei, Ben Kingsley, Hilary Duff and Dan Aykroyd — the movie finds the dryly sardonic Fan of Black slipping back into a pro forma version of his conflicted Grosse Pointe Blank hit man, here sent to bump off a Middle Eastern oil minister and consolidate power for an American company run by a former vice president.
Mainly because the questions seem to come from Billy Bush, the chat is fairly reserved and full of expected stuff — Cusack deriding the “conveyor belt” mentality pervasive in society today, and talking about keeping his sense of outrage and independence — though one wonders how it plays overseas. The most interesting portion comes late in the interview, when Cusack says that there’s a “vision of the world that corporate ethics are our national interests. And I just don’t think as a citizen, or a spiritual creature, or even as a thinking creature that we should accept that. I don’t want to be a shareholder in a great, ecumenical college of corporations. That’s not my thing. I don’t want to join that party.”
Obama’s Struggle Against Racist Spam

Forget the ongoing, relatively successful “secret Muslim” smear campaign, forget the drumbeat mention of his oh-so-exotic middle name — an iteration on a theme, meant to court the “Bubba vote,” that, ironically, should highlight the value of his judgment in opposing, from the beginning, the quagmire of this war in Iraq — this, above, is the sort of racist spam email flotsam that Barack Obama has to contend with in his campaign against Hillary Clinton for the Democratic presidential nomination.
You very rarely see these sorts of racists — or, let’s downgrade, even, and say pepetuators of hurtful and/or merrily ignorant prejudice — depicted in films. You occasionally get the oafish, derisible KKK characters of Harold & Kumar Escape from Guantanamo Bay, or from the same movie the outlandish federal agent played by Rob Corddry, whom everyone else (audience inclusive) is meant to recognize, and treat, as a fool. Yet whither the entirely nice, not uneducated folks who forward along stuff like this? I get that there’s no gain to this sort of painful highlighting — why risk alienating minorities in the context of films that may be manifestly “about” something else? — and yet as a society we ignore reality in our art at our own continuing peril.
Michael Moore Castigates Hillary Clinton
After a heartfelt, personal, web site-penned endorsement from Bruce Springsteen, Michael Moore has become the latest celebrity to back Barack Obama in the race for the Democratic presidential nomination, blasting Hillary Clinton in an open letter to Pennsylvania primary voters.
President Bush Makes Crank Calls
As part of its promotional campaign for the inspired Harold & Kumar Escape from Guantanamo Bay, New Line’s web site allows you to send friends a personalized crank call from George W. Bush (who, yes, is featured in the film). In related bush news, there’s unfortunately no tie-in promotion of the movie’s “bottomless party” scene (yes, what it sounds like) that allows you to send your loved ones photos of naked ladies. Well… you still could, I guess. I’m not the boss of you. At any rate, to personalize a Bush call, click here.
Jenna Jameson Mixes Boobs, Politics
Yes, Jenna Jameson is known for pictures like this one, sure (and much more), but she’s a thinking woman too — one who has strong feelings about the current administration, and one who built and ran a successful company (unlike our current president) that she sold to Hugh Hefner for eight figures two years ago. So in a recent one-on-one interview, I mixed in some politics, getting her take on the race for the Democratic presidential nomination between Hillary Clinton and Barack Obama.
While everyone — well, OK, mostly hardcore boosters and her own advisors — seemed to believe that women would feel empowered by the possibility of a female major party presidential candidate, and that Clinton could ride that enthusiasm, and the country’s, umm, considerable Bush fatigue, all the way to the White House, I always thought there was a dormant, hyperactive competitiveness and double standard that women might apply to Hillary, so I asked Jameson if her experience in the adult industry — which surely featured some of that — lent, in her opinion, any credence to my theory.
“That’s an amazing point. I think you’re right,” says Jameson, who makes her legit cinematic debut with the tongue-in-cheek horror-comedy Zombie Strippers, releasing this week in select markets. “It’s hard for women to accept another female, period. Even though we want that, we want that power, I think on some level there would be a competition, like, ‘Oh, that bitch don’t know what she’s doing.’ You know what I mean? ‘We should have a man in office, I knew I was right.'”
“But whether female or male, I think everybody wants a change,” continues Jameson, “and I’m voting [for Hillary or Barack] not necessarily just because she’s female or he’s black, but because we need a Democrat in office, period — because they’re better for society. The bottom line is we don’t want any more war.”
More on Zombie Strippers, Jameson and the latter’s battles with the Bush administration in the coming days. Wow: coming. See how I did that? Total zing.
Spike Lee Slams the Clintons
Famously quotable filmmaker Spike Lee is the latest public figure to get loose on Hillary Clinton. In a straight Q&A interview with Logan Hill for New York Magazine, ostensibly celebrating the anniversary of Do the Right Thing, Lee takes a few swipes at former New York City mayor Ed Koch, but saves his parting words for the former president and junior senator from New York, saying, among other things: “The Clintons, man, they would lie on a stack of Bibles. Snipers? That’s
not misspeaking, that’s some pure bullshit. I voted for Clinton twice,
but that’s over with.” Oh, snaps! There’s actually some interesting stuff about Do the Right Thing and Lee’s evolution as a filmmaker too. Again, for the full piece, a very quick read, click here.
Tina Brown Assays Clinton’s Campaign
It’s oldish, this tidbit about Hillary Clinton in March 17’s Newsweek, from a first-person, op-ed, inside-the-looking-glass piece by Tina Brown, but still telling, and true, in my opinion:
“What saddens boomer women who love Hillary is that their twentysomething daughters don’t share their view of her heroic role,” Brown writes. “Instead they’ve been swept up by that new Barack magic. It’s not their fault, and it’s not Hillary’s, either. The very scar tissue that older women see as proof of her determination just embarrasses their daughters, killing off for them all the insouciant elation that ought to have come with girl power in the White House.”
On the other hand, much more specious, I believe, is this half-reasoned assertion from Brown: “Am I alone in suspecting that TV’s most powerful 54-year-old woman (Oprah Winfrey) just might have endorsed [Obama] so fast for reasons of desirable viewer demographics as much as personal inspiration?” Think of her what you will, but Winfrey most assuredly isn’t a trend whore — she made a conscious decision to get out of schlocky, gutter-gotcha TV at its peak, when Maury Povich and Jerry Springer were still ratings giants — and to peg as merely “fashionable” or somehow otherwise (economically?) advantageous one’s support for Obama is utterly ridiculous. In fact, Winfrey has talked, though not at length, about getting no small amount of flak from many of her viewers for her endorsement of Obama.
Hillary Uses Rocky Theme Song
So Slate has an amusing piece on Hillary Clinton, and the fact that she’s now taken to using the theme song from Rocky during her campaign stops in Pennsylvania. Sure, I get it… Philadelphia and all that. But Slate’s Chadwick Matlin nails it when he points out that the metaphor doesn’t fly… Rocky is the underdog, not the corporate-funded favorite. Plus, Rocky
loses.
As Chadwick says: “Balboa puts up a great fight, but neither fighter knocks the other out
after 15 rounds. Instead, the fight’s outcome hinges on the superdelegate-like judges,
who declare a split-decision: Apollo is the winner. But three years later, in Rocky II, the fighters meet again. This
time Rocky wins. The takeaway: If Clinton
can’t win this go-around, maybe she can get off the mat in time for 2012.”
Make Your Own Obama Ad, Win Stuff
This DIY ad campaign, “Obama in 30 Seconds,” with the winner getting guaranteed national rotation and some free loot, seems like both a very good and very bad idea at the same time — the latter mainly because of the loons it will bring out. I was swayed a bit, however, by looking at some of the entries for the previous contest from 2004, “Bush in 30 Seconds” — especially the winner, which is thoughtfully restrained. The submission period runs March 27 through April 1 (a bad end deadline), and in addition to first-round online voting, final entries will be judged by an intriguing 24-person panel that includes Ben Affleck, Moby, Matt Damon, Naomi Wolf, Julia Stiles, Eddie Vedder, Oliver Stone, Jesse Jackson and Ted Hope. So have at it, all you politically agitated aspirant filmmakers. One question, though — whither the DIY John McCain ad campaign?
Lil’ Bush: Season One
A sort of Muppet Babies animated satire crossed with That’s My Bush!, the short-lived, live-action White House spoof from South Park creators Trey Parker and Matt Stone, Comedy Central’s Lil’ Bush: Resident of the United States is a razor-sharp skewering of the rascally, tunnel-visioned foibles of George W. Bush (and other political figures), all in miniaturized, adolescent form. Created by Donick Cary (a former scribe on The Simpsons), the series details the blinkered antics of Lil’ George and his Lil’ White House posse — including Lil’ Condi, Lil’ Rummy and the unintelligible, foul-mouthed Lil’ Cheney — as they tackle all the major playground issues of the day, from illegal immigration and abortion to evolution and the war on terror.

The first series to make the transition from mobisode to full-fledged television show, Lil’ Bush premiered in mid-June of last year, as the most watched Comedy Central original series bow since 2004. Unfolding in a sort of alternate, suspended imaginary state (present day, inclusive of all the complications in Iraq, but with a doddering George H. W. Bush as president, allowing Lil’ George run of the White House grounds), the series’ inaugural season naturally gets a lot of painfully comedic run out of its subjects’ war-mongering ways. Lil’ George makes a statement with his Aquaman underpants while facing off against Lil’ Kim Jong Il, and the gang also goes on a panty raid against an Al Qaeda training camp before eventually unleashing weapons of mass destruction. Lil’ George also becomes fascinated with Lil’ Tony Blair (beguiled by his accent, he asks if he’s from Narnia), and the pair become cheerleaders together.
Some of the most jaw-droppingly hilarious episodes, though, take other topical issues as their leaping-off points — an ill-reasoned attempt by Lil’ George to speed up global warming, and a protest at an abortion clinic which ends with Lil’ Cheney, umm, stuck inside Barbara Bush’s uterus. The musical predilections of Cary and fellow show runner Opus Moreschi
are also revealed via the show’s voice cameos, which include Iggy Pop, Henry
Rollins, Frank Black, Wilco frontman Jeff Tweedy, Dave Grohl and Red Hot Chili Peppers
members Anthony Kiedis and Michael “Flea” Balzary. In fact, since Lil’ George and his pals are in a band together, and he’s always talking about wanting to rock, a portion of many episodes is devoted to music video-style send-ups, which are amusing at first, but eventually reach a point of somewhat diminished return, except in an episode like “Walter Reed,” in which, wincingly, Lil’ George enthusiastically opines, “These troops’ll be blown away all over again — but this time by rock ‘n’ roll!”
For what it’s worth, there is an honest attempt here made at fair play, with bipartisan skewerings of various Democratic candidates and left-wing figures like John Kerry, Hillary Clinton, Barack Obama and filmmaker Michael Moore. But these bits (they too, are classmates of Lil’ George) are not as tightly scripted or effective, and mostly just play off a single character trait (e.g., Kerry’s ponderousness, or Bill Clinton’s lasciviousness). Thankfully, the cracked, tangential observations of Lil’ George — humorously embodied with petulant confidence by Chris Parson — are sharp, and high-yield enough to keep things moving at a great pace. (Sample line, about the Oval Office: “Oval is a shape they don’t tell you about in school — it’s like a circle, but for rich people.”) And the show’s humor also reaches back in time a bit; Bush Sr. is reminded that he’s “allergic to Asian people,” a reference to his vomitous state dinner trip to the Far East.
The show’s uncensored first season DVD set (allowing for an unbleeped airing of Lil’ Cheney’s occasional favorite exhortation of “Go fuck yourself!”) is presented on a single disc, and housed in a regular Amray case. It comes with a quite-nice roster of bonus material. An animated, one-and-a-half-minute White House tour sets up the show’s concept nicely, and allows for a few zingers. There are also six minutes of cast and crew interviews, with Cary, Moreschi and voice talent Parson, who it turns out was found and booked for the series via Craigslist, amazingly enough. A six-minute table read for the episode “Hot Dog Day” (in which Lil’ George bristles at the un-American notion of scaling back his school’s lunch line offerings), meanwhile, offers a glimpse at the pre-production process.
Its most intriguing bonus feature, though, might be its collection of
audio commentaries. Cast and crew sit for a number of them, during which we learn that the animation for the series takes anywhere from four to six months, but that the brief “cold open” to each episode is scripted about a week prior to airing. Even more interestingly, creator
Cary is also joined on a trio of commentaries, improbably enough, by Jerry
Springer, Tucker Carlson and Ralph Nader. While each figure’s familiarity with the show varies, their participation certainly makes for some off-the-beaten-path exchanges; Nader’s in particular is strange, as he mercilessly harangues the real-life Bush by pointed comparison to the show’s animation, noting that arched brows are “a signal of belligerency in chimpanzee land.” Seriously.
Finally, there’s also the inclusion of the aforementioned, but never-before-seen bonus episode “Walter Reed,” which substituted for another episode that finds Lil’ Cheney dying of a heart attack after getting stuck in a vending machine, going to hell, and loving every minute of it, crying, “Home, home!” As Cary and Moreschi explain in a brief introduction, they had to work up something to swap in for public airing and sensitivity’s sake on the off chance that the real-life Cheney passed away. Wow — if only that sense of preparation was applied to, say, post-war planning for Iraq. To purchase Lil’ Bush on DVD, click here. A- (Show) A- (Disc)
Obama Delivers Landmark Speech on Race
I’ve talked before about his cinematic oratorical punch, and in a riveting, landmark speech on racial division today in Philadelphia, Senator Barack Obama tackled head-on the incendiary statements of his former pastor that have been dominating recent headlines — rejecting the content of his divisive statements, but diagnosing a generations-long “racial stalemate” with personally felt clarity, civility and clear-eyed perspicacity. “I can no more disown [Reverend Jeremiah Wright] than I can disown the black community,” Obama said. “I can no more disown him than I can my white grandmother — a woman who helped raise me, a woman who sacrificed again and again for me, a woman who loves me as much as she loves anything in this world, but a woman who once confessed her fear of black men who passed by her on the street, and who on more than one occasion has uttered racial or ethnic stereotypes that made me cringe.”
Sometimes honesty meets challenge, but very rarely, it seems, in the political sphere. Cannily dialing down his affected and slightly exaggerated preacher’s cadence — doubtless a source of discomfort anyway for some unswayed downmarket white voters — in a sign of deference to the subject matter, Obama spoke difficult truths to both blacks and whites alike, perhaps in a way for which he alone on the national scene is uniquely qualified, but certainly in a way that was brave.
Nuanced, shaded and roundly unpatronizing, it was a speech that, radically, acknowledges such a thing as fair reaction, and then makes a case for hard-work healing and higher discourse. Part of the home-stretch wrap comes via this assertion: “For we have a choice in this country. We can accept a politics that breeds division, conflict and cynicism. We can tackle race only as spectacle, as we did in the O.J. trial, or in the wake of tragedy, as we did in the aftermath of Katrina. Or as fodder for the nightly news. We can play Reverend Wright’s sermons on every channel, every day and talk about them from now until the election, and make the only question in this campaign whether or not the American people think that I somehow believe or sympathize with his most offensive words. We can pounce on some gaffe by a Hillary supporter as evidence that she’s playing the race card, or we can speculate on whether white men will all flock to John McCain in the general election regardless of his policies. We can do that. But if we do, I can tell you that in the next election, we’ll be talking about some other distraction. And then another one. And then another one. And nothing will change.”
In talking about inequalities passed along from earlier generations, Obama strings together grievances, anger and fear, connecting the dots of the unspoken and obvious in a manner that is at once breathtaking and infuriating — the latter because it makes you realize, if there were any doubt, just how much of the political oxygen is self-serving, power-grab pap. I don’t need to read or hear Senator Hillary Clinton’s response to know that she just got H-bombed, in this news cycle and for many to come. Just the little picture of her on MSNBC and other news sites — with the blurbed, lift-quote phrase “It’s an important topic,” from her deemed-necessary response — tells you everything you need to know. Clinton is a politician to her core. Shrewd, intelligent and a master of her craft, yes, but a politician nonetheless — someone who never could or would lean forward into incoming fire like this, and deliver a heartfelt, unblinking call for unity and elevation. That is the opposite of her essence, which is brokerage and willful division. For more, the full text of Obama’s speech is available here.
Keith Olbermann Slams Clinton Campaign
Peter Finch would be proud. MSNBC Countdown host Keith Olbermann put an impassioned, cinematic/oratorical spin on his “special comment” direct address to Senator Hillary Clinton last night, stemming from Geraldine Ferraro’s comments about Senator Barack Obama only being in the position he was because he was a black man, and it was a pretty powerful thing (“Voluntarily or inadvertently, you are still awash in this filth”). Whatever you think of the man, the Democratic candidates or this controversy, Olbermann can write. And to me, his points are pretty much on point: the serpentine, surreptitious courting of casually prejudiced voters — the sort of folks who might not forward along the email touting Obama as a closet agent of Muslim, but silently nod to themselves in clucking acceptance when hearing about its reportage — has gotten a lot more advanced and, dare I say, intelligent over the years. And the Clintons don’t have their doctorates in hardball by accident. They play to win, and a vote is a vote, no matter if it’s in the positive or negative. Ergo, the Clinton campaign has been remarkably adept at maintaining plausible deniability. You can’t reasonably assign intent to any single one of these statements or controversies Olbermann addresses. But once the “pattern” cat is out of the bag… well, you’ve really irritated if not forever lost those who care most deeply and sincerely about equality, and abhor political ploys of cheap division.
Karl Rove Mocked at Iowa Speech
So I don’t feel bad at all about erstwhile Republican kingmaker Karl Rove being fairly righteously taunted during a speech yesterday
at the University of Iowa (a speech for which he was paid $40,000, incidentally), but I do give him solid smack-retort credit for part of his response — “Worse than the person who introduced aluminum
baseball bats?” — after being told by an audience member that MSNBC’s Keith Olbermann named him the “worst person ever.” Well played, Karl. Though I don’t know if this guy, on the left, finds it quite as funny…
Bush, Obama Make T-Shirts
I’ve been traveling a lot lately, and while flying through Washington’s Dulles airport, stopped to snap these admittedly too blurry photos from a presumably duty-free gift shop.

The first, above, celebrates the end of George Bush‘s presidency. Not that Dubya would have occasion to ever glimpse it, but it has to be somewhat weird when the city in which you live (when you’re not clearing brush) has racks of T-shirts calling you out and celebrating your scheduled departure.

The second is more of the celebratory-populist vein. The natural, consumerist extension of the get-on-the-love-train affection for Barack Obama I somewhat get (“Barack & Roll,” it says above), but… referenced in the form of an AC/DC visual gag? Very strange, indeed. Oh, and not pictured, from the same storefront walkway: the 16-inch, disturbingly lifelike Hillary Clinton nutcracker. (Seriously.) When I think about China manufacturing stuff like that, and what sociocultural conclusions they must draw from it, it amuses me to no end.
Clinton Bashes Obama… Awkwardly
The latest from the Democratic campaign trail? She’s playing a dangerous game, Hillary Clinton, but damned if she isn’t doing it with some intelligence. After playing almost exclusively nice with Barack Obama in person at the last Democratic debate — saying how “honored” she was to be sharing the stage with him — Clinton then immediately turned around and ripped into the Illinois senator on Saturday, crying “for shame!” over a piece of direct-mail correspondence from his campaign that questioned her health care plan.
OK, well played — Clinton gets that she’ll have to slug it out in the trenches if she wants to ignite a comeback, battling over issues and using contrast to decry contrasts drawn with her. Well… maybe not. In a Rhode Island campaign appearance Sunday afternoon, she mocked Obama’s hopeful rhetoric, declaring it not the answer in fighting entrenched interests. “I could stand up here and say, ‘Let’s just get everybody together, let’s get unified, the sky will open, the light will come down, celestial choirs will be singing, and everyone will know we should do the right thing and the world will be perfect,'” Clinton said, as people cheered and laughed. Again: bad idea, this mocking of hope and optimism, especially for a candidate whose husband ran as “a man from Hope.” I don’t doubt that Clinton has a perfectly serviceable sense of humor, but it’s been evidenced repeatedly that she’s demonstrably awful with a jab. Repeated use of this technique will unleash a world of hurt and spurned “third-way” voters, even if she were to rally and win the Democratic nomination.
Hillary Clinton, Meet Fork…
Casting an eye away from the big screen, I’d hate to be the one to break this to the Clintons, but — barring some sort of top-shelf political faux pas, nay, utter flame-out, or the sudden disclosure that Barack Obama secretly funded Michael Vick’s dogfighting ring — Hillary’s campaign for the Democratic nomination for the presidency is all over but the shouting. Like a “Choose-Your-Own-Adventure” novel of yesteryear, she can pick the gracefulness and specifics of her exit, but it’s no longer a “numbers game” in which she holds any sort of advantage.
Obama’s string of 10 straight primary and caucus wins, and the average, crushing margin of the victories (an astonishing 33 percent), means that Clinton would have to notch 60-plus percent of the vote in delegate-rich Texas, Pennsylvania and Ohio — unreasonable gets, to say the least. This virtually guarantees that Obama will hold a significant lead in pledged delegates, states won and total votes (of which he’s picked up one million more than Clinton since Super Tuesday) upon the completion of the main primary cycle.
Of course no politician of substance gets to where they are by just packing it in. But Clinton no longer has any semblance of an effective message to match her iron will. Initially missing the boat on the electorate’s hunger for change is one thing, but the Clinton campaign is now pursuing an equally tone deaf strategy in trying to reverse Obama’s momentum and “drive up his negatives,” in inside-the-Beltway parlance. Since her experiential trump card isn’t working, she’s taken to (understandably) ignoring voting outcomes and (less understandably) treating hope as a piñata in her recent stump speeches.
“When I think about what we’re really comparing in this election, you
know, we can’t just have speeches, we need to have solutions for America,” Clinton said in one speech in Ohio. “It is time to get real — to get real about how we actually win this
election and get real about the challenges facing America,” she said in another speech. “It’s time
that we moved from good words to good works, from sound bites to sound
solutions. Americans have a choice to make in this
election, and that choice matters. It’s about picking a president who
relies not just on words, but on work, on hard work, to get America working again for all of our people. We
need to make a choice between speeches and solutions.”
Parsing and attempting to highlight this distinction is something that requires a deft touch — a pinch of good-natured wheedling and a very conciliatory tone. Needless to say, these are not traits that Clinton possesses in abundance. Ergo, this tack, and the repeated use of the phrase “Get real” (10 times in one speech yesterday) is like dumping gasoline on a fire. It’s an argument that doesn’t really hold sway with undecided independents, and it does nothing except piss off and further agitate many of those leaning toward Obama — Democrats, so-called “Obamacans” or otherwise unaffiliated voters — because you’re essentially calling them stupid, questioning the value and judgment of their feelings. And that’s a problem, because a feeling is much stronger than a thought.
Paranoia, Political Thrills Take Center Stage at Aero
For those in Southern California, paranoia, conspiracy and political corruption take center stage at the Aero Theatre in Santa Monica, February 6 through 10. We live in interesting and politically fraught times, no doubt, so what better way to count down until January 20, 2009, than to take in some classic cinema, including All the President’s Men, The Parallax View, The Manchurian Candidate, Executive Action and 1979’s under-regarded satire Winter Kills, directed by William Richert. Three Days of the Condor, helmed by Sydney Pollack and starring Robert Redford and Faye Dunaway, kicks off the series on February 6.
The Aero Theatre
is located at 1328 Montana Avenue in Santa Monica
information on directions and the Aero’s upcoming schedule,
phone (323) 466-FILM.
MLK Doc Screens for Free
With Martin Luther King, Jr. Day right around the corner, a special treat lays in waiting for those in Maryland, Virginia and Washington, D.C. — screening for free at 10 a.m. and 1 p.m. at the AFI Silver Theatre is King: A Filmed Record… Montgomery to Memphis, co-directed by
notables Sidney Lumet and Joseph L. Mankiewicz. A riveting compilation of documentary footage of Dr. Martin
Luther King, Jr., from the
bus boycott and the dogs of
Prize, his August 1963 “I Have a Dream” speech at the Lincoln Memorial
and that fateful April evening on a balcony in
Jones, Paul Newman, Charlton Heston, Harry Belafonte, Ruby
Dee and Clarence Williams III, among others. Free tickets are available at the AFI Silver Theatre box office on the day of the event only. The Silver Theatre is located at 8633 Colesville Road in the heart of the new downtown Silver Spring; for more information, click here.
Clinton, Obama and Presidential Maneuvering
Gazing past the silver screen and into the real world, The Atlantic has up a fascinating piece by Marc Ambinder in which he assays the behind-the-scenes run-up and laid track of the presidential campaigns of Hillary Clinton and Barack Obama, as well as some of their strategies and inner workings even now. It’s the rich detail of involving novels, stuff you could never really cram into a film about politics, no matter how exacting and “inside-the-Beltway.”

The article offers up a story of dueling war rooms, shrewd fund-raising battles and surprising allies (for one, the Hillary camp’s
back-channel alliance with Matt Drudge, who helped break the Monica Lewinsky story,
and rode it with an unrivaled fervor), but also very much more than that. It’s an allegorical story of plotting, entitlement, and not seeing the forest through the trees.
Clearly, Obama’s populist candidacy has threatened to upend the Clintons’ painstakingly constructed political applecart, as well as the way politicians have traditionally pursued
the presidency — through years of careful preparation and positioning. “I think there’s no doubt that it would be easier for a lot of people in
Washington if I had decided that I was going to take a pass and wait my
appropriate turn,” says Obama in the piece. “[That] might be, from their perspective, 10 years from
now — or at least once the Clintons had exhausted all possibilities of
running any further.”
The above accompanying photo, from John Gress of Reuters, actually sums it up nicely — the Clintons’ simultaneous disdain for and disbelief at Obama’s meteoric rise. (In the preparatory months leading up to Hillary’s campaign launch, they were focused on sharpening their talons to fend off the more obvious challenge by John Edwards.) Part of the grand strategy for Hillary Clinton’s run at the White House
was to build a movement around her gender and the possibility of
electing the first female president. Mark Penn, the Clinton campaign’s visionary pollster,
believed that presenting Clinton’s candidacy as a historic occasion
would re-inspire voters badly disillusioned after eight years of George
W. Bush. But Obama — the first nationally viable African-American candidate, and one possessing the charisma to enthuse potential voters about rising to make history, however implicitly — assumed the
symbolic role that Clinton’s team had in mind for her. For the full read, click here.
On Obama’s Iowa Speech
Whatever you think of the man and/or candidate, one has to cop to the genuine electricity in Barack Obama’s Iowa caucus victory speech last night. It’s a nicely scripted thing, and delivered with power and grace — definitely cinematic in its oratorical punch. One thing that’s notable is how inclusive and only vaguely defined his common-cause language is, talking about the day pundits “said would never come” without ever explicitly mentioning race.