A winning little dramedy hung chiefly on the solid peg of Lou Taylor Pucci‘s lead performance, The Story of Luke offers up an experiential snapshot of adult autism without descending into cloying sentimentality or didactic moralizing. Written and helmed by first-time feature director Alonso Mayo, the movie is mostly a comedy, but one that largely eschews outlandishness and never drifts too far from recognizable human feeling.



When his grandmother dies and his senile grandfather (Kenneth Welsh) is no longer able to care for him, 25-year-old Luke (Pucci) is taken in by his Uncle Paul and Aunt Cindy (Cary Elwes and Kristin Bauer), in a move that further stresses their already strained marriage. His cousins (Tyler Stentiford, Mackenzie Munro) are fairly welcoming, but the autistic Luke is thrown by all the sudden change. He knows he needs to grow up (“I can’t watch cooking shows for the rest of my life — I want to screw”), but he’s uncertain of how.

Taking some advice from his grandfather, Luke heads to a temp agency and quickly becomes enamored with Maria (Sabryn Rock) — or more specifically, her breasts. Placed in the mailroom at a nondescript company, Luke makes an unlikely friend in the boss’ son, the virulently antisocial Zack (Seth Green), who is also not “neuro-typical,” but comes around to Luke’s attention to detail. Zack decides to share his special proprietary invention — a computer program that reads and responds to the facial expressions of those with autistic-spectrum disorders (“I programmed her to be a bitch because that’s what you’re up against”), in order to help coach and nudge them toward “normal.” Nominal hijinks ensue, of course, as Luke screws up the courage to ask out Maria, but the movie also spends an equal amount of time showing both Luke and his “new” family feeling their way through a grander socialization with one another.

With his fey, sing-song voice and buttoned-up fashion, Pucci delivers an indelible performance that doesn’t cheat on the anxiety Luke feels — which swells considerably when considering the abandonment of his mother. If Green, angry and wound up, plays much more of a type, their interactions are still amusing, and give The Story of Luke a fresh, off-kilter comedic vibe that one doesn’t expect to see in a story that could easily be a lot more staid, and typically plotted.

Some may scoff at this mixture of tones, but since Mayo is resolutely true to Luke’s wobbly steps toward independence, it mostly works. Though it’s not as much of a relationship two-hander, The Story of Luke bears some characteristics in common with Max Mayer’s Adam, starring Hugh Dancy and Rose Byrne. Even though that film took a young man with Asperger’s Syndrome as its protagonist, both movies are robustly invested in an exploration of the often bewildering gaps in social recognition and body language between “NTs,” or neuro-typicals, and those with less functional social skill sets.

An engaging character study about a differently-wired guy learning to navigate the already choppy waters of young adulthood, The Story of Luke is a sweetnaturedly pleasant and optimistic coming-of-age tale that highlights much that we share, amidst all our differences. For the full, original review, from ShockYa, click here. The Story of Luke opens in Los Angeles at the Laemmle Music Hall, but in addition to its nationwide theatrical engagements the film is also available on VOD. For more information, click here to visit its website. (Gravitas Ventures, unrated, 95 minutes)