Savages




A respite from his more recent sociopolitical filmography, and an unapologetically bawdy blast of violence, backstabbing and revenge, Savages represents Oliver Stone’s most streamlined and overtly commercial movie in more than a decade. It also feels less than the sum of its parts. A super-stylish but overlong drug-running kidnap drama starring Aaron Johnson, Taylor Kitsch and Blake Lively, Savages skates by on colorful but sometimes thin characterizations, evincing no great point beyond the mode of its telling. How disqualifying that damnation is rests in the eye of the beholder.

The film’s main redemption lies in its evocative telling — Dan Mindel’s gorgeous, sun-dipped cinematography alternates between gritty fever dream and beguiling travelogue — and its acting. In the latter category, John Travolta gives a tack-sharp performance shot through with desperate self-preservation, while Salma Hayek plays a chilly matriarch. It’s Benicio Del Toro, however, who steals the movie — exuding a dark, magnetic charm and pumping rich, intense depth into the untold backstory of his character, a brutal enforcer. For the full, original review, from Screen International, click here(Universal, R, 130 minutes)