Desperately Seeking Paul McCartney

As far as mockumentaries go, Desperately Seeking Paul McCartney has a great set-up, or hook — one that would in theory allow for an exploration of the navel-gazing boomer generation, and how a kissed, chance moment of celebrity interaction can turn one’s world into a hermetically sealed diorama. Unfortunately, however, it never really coalesces in a meaningful way that elevates the movie into something more than a fleeting curio for Beatles-obsessed completists.

The background here is rooted in fact. Ruth Anson, a fresh-faced reporter for ABC television covering teen issues and the entertainment beat in the 1960s, got a chance in August of 1965 to stick a microphone in the face of Beatle Paul McCartney, who jokingly responded to her question about marriage plans by saying he intended to wed only if she would get hitched with him, “right now.” The film replays footage of this moment over and over (and over), but uses it as a launching point for the sunny Anson’s journey of self-discovery. Claiming she’s looking for “closure,” Anson attends a Hollywood pitch session where she talks up a possible film project built around her suddenly awakened desire to track down McCartney and ask him whether or not he was serious — a quixotic quest flick loosely in the vein of Brian Herzlinger’s My Date with Drew, in other words. Director Marc Cushman (who also appears onscreen, playing himself) takes to Anson’s idea, but finds that he and his production team keep hitting brick walls as they try to track McCartney down. Desperate to keep moving forward, he re-contextualizes Anson’s yearning, positioning her at the center of a reality show in which even her friends and family start to think maybe she’s a bit of a nutter.

There’s potential here, and by Desperately Seeking Paul McCartney by and large plays things fairly dry and tongue-in-cheek. Gratefully, it doesn’t tip over into histrionics (even though Anson gets all teary when she’s goaded into visiting a therapist, at Cushman’s insistence), but instead just follows around Cushman’s production team as they try to go about constructing embarrassing and/or air-quote dramatic scenarios for their unaware star. The chief problem is that the viewer gets out in front of the movie. It’s too slow-moving; its conflicts and jokes take too long to develop and then tend to drag on, and certain bits (like a Queer Eye for the Straight Guy-style makeover for Anson, as she preps to try to crash the Grammys with a set of phony IDs cooked up by Cushman) fall flat entirely. There isn’t enough rangy shock value or psychological insight to match the topic, so when the whole thing ends with an interview with porn star Ron Jeremy (since he was putatively able to gain access to the Grammys, and Anson wasn’t), well… one just has to shrug.

Housed in a regular plastic Amaray case, Desperately Seeking Paul McCartney comes to DVD presented in 1.33:1 full frame, with English language 5.1 Dolby digital surround sound and 2.0 stereo audio mixes. Bonus features consist of some touted “Beatles-type songs,” which is almost precisely as painful as that sounds. To purchase the DVD via Amazon, click here. C+ (Movie) C- (Disc)