It’s summer, and I was just attacked by a velociraptor this past weekend, so what better time, really, to re-post this DVD review of Jurassic Park III, originally from 2001? Oh, there’s also the fact that it costars Téa Leoni, who’s in the just-released You Kill Me, and is also totally hot.
Téa Leoni), contract Grant’s services. Under the
impression that he’s merely serving as a well-paid emcee on a low fly-by, Grant
awakens to discover he’s back in the one place in the world he least wants to
be.
With very few and very minor story qualms aside, Jurassic Park III is
structurally sound; it’s an easy story to buy into, and under director Joe
Johnston’s solid summer romp guidance, there’s plausible suspension of
disbelief. A good deal of credit should also go to the unlikely pinch-hit
writing team of Alexander Payne and Jim Taylor (Election), who stepped in and
did such a significant stem-to-stern rewrite that they ended up sharing
screenplay credit with Peter Buchman. It would have been very easy for the
character of Grant, though necessary as a guide and narrative device, to be an
overly cynical and burdensome presence. But he’s not; though often agitated and
exasperated, he’s not grumpy, and we get a surprisingly clear sense of what
Grant feels and has gone through since the events of the original film. By
design, this third installment is a lot more of a straight-up action film than
its predecessors — without the wide-eyed, untainted wonder of these creatures
being (first) brought to life to capture our attention, the filmmakers rightly
realize that the entertainment is in new dinosaurs, new combinations and new
situations.
As one would expect, the DVD is chock full of supplemental extras, including
storyboards, bios, trailers for all three films in the series and an
informative but slightly intrusive feature-length audio commentary from Stan Winston,
animated effects director Dan Taylor and several other techies. The best bets,
though, are a self-guided virtual tour of Winston’s studio, a 3-D look at the
12 dinosaurs created for the film and a special making-of featurette, which
offers viewers insight into the filming of several key set pieces.