Canadian auteur Guy Maddin — he of the black-and-white art film — attempts to give genre a bit of a nominal spin in much the same way that Lars von Trier did last year with Melancholia. His stab at the cops-and-robbers template arrives in the form of Keyhole, a kind of quarter-hearted siege/stand-off film cross-pollinated with psychological melodrama, and a heavy side of metaphorical import. The result, while characteristically full of some beautiful and evocative images, seems doggedly intent on achieving art status through obfuscation. For the full, original review, from ShockYa, click here. (Monterey Media, R, 93 minutes)