The ghost of Christopher Dorner, the former Los Angeles police officer who held the imaginations of television news producers captive for a week several weeks ago when he went on a rampgage, shooting several cops and their family members as part of a twisted statement of grievance, hangs over The Kill Hole, a well meaning indie drama of post-traumatic stress disorder and ex-military account-settling. Despite a fairly convincing evocation of mood by writer-director Mischa Webley, this spare yet affected would-be thriller never ripens past the point of a wobbly character study. It’s a half-developed Polaroid, and as such an artful yet shrug-inducing time-whiler. For the full, original review, from ShockYa, click here. For more information, click here to visit the film’s website. (RBC Film Group, unrated, 92 minutes)