Amateurishness outstrips earnestness by a wide margin in writer-director Sydney Freeland’s Drunktown’s Finest, a Sundance premiere in the NEXT category. A coming-of-age triptych that makes the obligatory third act play for interwoven significance, this Native-American-centric drama has a hearty helping of festival cred (it was work-shopped at various Sundance labs, and Robert Redford serves as an executive producer), but seems unlikely to find a much wider home, even with arthouse audiences, given Freeland’s tin ear for dialogue and extraordinarily poor grasp of how addictive impulses inform behavior. For the original capsule review, from Paste, click here. (Dry Lake Productions/Indion Productions, unrated, 90 minutes)