The writing and directing debut of Parks and Recreation actor Paul Schneider, Pretty Bird is an ambling, relatively forced-cute rumination on hazy American ambition, wherein the cart of end result is always put before the horse of honed idea. In some ways a cross between Tucker and The Music Man, the film sails along for a while on the charm of its lead actors, but ultimately unwinds into a messy, unsatisfying spool of questionable motivations, curious actions and unresolved loose ends.

Adapted from Paul Brown’s book The Rocketball Caper: A True Tale of Invention, Obsession and Murder, the movie, which debuted at the Sundance Film Festival two years ago, tells the story of three would-be entrepreneurs who join forces and set out to invent and market a personal rocket belt. Curtis Prentiss (Billy Crudup) is the forcefully upbeat driving personality behind the entire endeavor, which comes together under the banner of a company Curtis names Fantastic Technologies, Inc. Curtis hits up his best friend, Kenny Owenby (David Hornsby), who owns and operates a mattress store, for seed money. He also uses some of that cash to sign the brains of the operation, Richard Honeycutt (Paul Giamatti), a married ex-rocket scientist wallowing in a funk of depression ever since being laid off from his job.

For a while, a set of mysterious blueprints which give Richard a nice head start on
the contraption, along with Curtis’ indefatigably positive, can-do mindset and offbeat sensibilities (he wears a white tuxedo to an eventual field test of the contraption, above) seem to be enough. Maybe this brash, unconventional start-up will yield startlingly successful results. Soon, though, Richard begins to wonder why none of Curtis’ investors seem to be coming through. As personalities clash and contrasting agendas seem to emerge, the partnership begins to unravel in unexpected ways. Kristen Wiig and Anna Camp also appear, as Kenny’s secretary and Curtis’ married neighbor, respectively.

Pretty Bird has some charm and plenty of diverting amusement around the edges, mostly courtesy of some warped banter, but is mightily dinged by a too-cute elliptical ending, which makes a reach for some metaphorical significance where there is none. At the core of the film’s problems is its enervated tone. Additionally, there’s not enough of a forced perspective through Curtis to make his paranoia and petty tyrannical rants — born of an intellectual insecurity — truly matter, or pop. Is Curtis merely quixotic, or deeply unhinged? We don’t ever really get a firm answer on this front, which would actually be fine if someone other than Richard — who is motivated by his own concerns over being squeezed out, and denied the glory of credit — seemed to actually care. Kenny, however, is a sop — a weirdly, purely functional character, which is problematic when constructing a shared-perspective character piece.

Housed in a regular plastic Amaray case with hollowed-out spindles that are, you know, in theory better for the environment, Pretty Bird comes to DVD presented in a crisp, color-consistent widescreen transfer, with an English language Dolby digital 5.1 surround sound audio track with optional English subtitles. Apart from the obligatory chapter stops (15, in this case), there are unfortunately no supplemental bonus features, except for a small collection of trailers for films like Echelon Conspiracy and Wrong Turn at Tahoe, the latter being the latest of many straight-to-video flicks starring Cuba Gooding, Jr. To purchase the DVD via Amazon, click here. C- (Movie) D (Disc)