In Salvation Boulevard, repentant Grateful Dead follower Carl Vanderveer (Greg Kinnear) has given up his wild ways, settling down with wife Gwen (Jennifer Connelly, stuck in the throes of some feverish acting exercise) and her teenage daughter Angie (Isabelle Fuhrman, of Orphan), where he’s a lapdog member of the local evangelical super-church run by the charismatic if somewhat oily Pastor Dan Day (Pierce Brosnan). Following a public debate on God and religion between Dan and noted atheist author Dr. Paul Blaylock (Ed Harris), there’s a terrible accident, after which Dan tries to pin the blame on Carl, leading to all sorts of other shenanigans.
Kinnear and Brosnan made for an intriguing pair before, in the 2005 down-tempo black comedy The Matador, but here they connect with less success. Salvation Boulevard has a certain pedigree, being based on a book by Wag the Dog author Larry Beinhart, but so much of this material doesn’t rise to the level of its putative conceit. Two characters seem to initially figure more prominently into the proceedings, but fall out in the middle, only to lamely pop up again later. And when the film loops in a business contractor (Yul Vazquez) with designs on blackmailing Dan, it sags under the weight of a misguided focus.
In both his documentary Hell House and 2007’s Joshua, director George Ratliff has handled religious themes before (though not always well), so it’s somewhat strange that this film feels so toothless and schizophrenic — broad at times, and either unwilling or unable to commit to a darker path. More pointed religious satire would have been good, or even just crisper characterizations across the board. The screenplay, though, by Ratliff and Doug Max Stone, never locates a convincing tone or motivation. In a small part as a hippie security guard who crosses paths with Carl, meanwhile, Marisa Tomei gives the movie some lift. It’s a source of considerable frustration that viewers can’t pivot, follow her character off on another path, and look for their own salvation.
Housed in a regular plastic Amaray case, Salvation Boulevard comes to DVD presented in 1.85:1 anamorphic widescreen, with a crisp Dolby digital 5.1 surround sound audio track. Apart from a small clutch of preview trailers, there are no supplemental features here, further consigning this title to mostly rental status from only diehard completist fans of some of the cast. Nevertheless, to purchase the DVD via Amazon, click here. D (Movie) D+ (Disc)
Daily Archives: September 22, 2012
Serving Up Richard
A tepid domestic hostage drama with the additional elemental garnish of cannibalism, Serving Up Richard tries to blend together pas de deux psychodrama with suspense, dark humor and a side serving of gore. It fails, in yawning fashion. For the full, original review, from ShockYa, click here. (Dance On Productions, R, 97 minutes)