The social activism documentary subgenre is a rich one, but the best of these sorts of willfully disquieting films — like The Corporation, An Inconvenient Truth, Who Killed the Electric Car? and Michael Moore’s Capitalism: A Love Story — aren’t merely reflexive sermons to the choir, but instead movies that try to root down into systemic injustice, abuse, fraud and scientific rejection, in a fervent effort to expose the cost of continued social apathy and silence. Narrated by Ryan Gosling, the slim but still thought-provoking #ReGENERATION slots in nicely as a minor-chord entry of this sort. Director Phillip Montgomery’s film has an agitator’s soul, and that’s perhaps a good thing.
Focused on the twin pillars of education and the media, and how they impact and influence everything from our occupational pursuits to social thinking and avocational interests, #ReGENERATION explores some of the galvanizing forces behind the Occupy Wall Street movement (hence its hash tag title), and the present state of social angst and activism (including a generational lack thereof). The film has a deep and engaging roster of talking heads — interviewees include Noam Chomsky, Howard Zinn, Talib Kweli and Adbusters publisher Kalle Lasn — but Montgomery also endeavors to give his undertaking a sort of millennial generation Everyman gloss. Thusly, one strand focuses on a collective of musicians, Georgia-based STS9, working outside the corporate system; another gives voice to students and administrators at Eagen High School, a suburb of Minneapolis; and another still focuses on a conservative, married twentysomething couple about to welcome their second child.
Clocking in at but 80 minutes, Montgomery’s film doesn’t drag. But if there’s a knock against it, it’s that the subject matter is so rangy that it could certainly use a bit tighter editing focus — a fierce honing of intent and argument. As is, it’s energy that sustains and recommends it, more than lingering powerhouse insight. Still, the boisterous #ReGENERATION paints a commingled ghastly and hopeful portrait of early 21st century America and some of the changes and challenges we need to face, and it’s not a picture from which you can readily look away. In addition to its theatrical engagements, the film is available across platforms on VOD. For the trailer, more information and to get involved, click here. For the full, original review, from ShockYa, click here. (Red Flag Releasing/Anonymous Content, unrated, 80 minutes)
Daily Archives: May 8, 2012
Kris Van Varenberg Talks Acting, Action, His Famous Father
Hollywood can be a tough place for young actors and actresses, and the seeming benefit or advantage of nepotism isn’t always what outsiders might make it out to be. Such is the case for Kristopher Van Varenberg, the 24-year-old son of notoriously limber action star Jean-Claude Van Damme and Gladys Portugues, an ex-bodybuilder and fitness competitor. Mixing action roles and bit parts in movies alongside his dad with character work in other films — including two new After Dark Films releases, Dragon Eyes and Philly Kid, debuting this week — the friendly and candid Van Varenberg is out to leave his own mark in the entertainment business. I recently had a chance to speak one-on-one to Van Varenberg, about his two new movies, mixed martial arts and the workout routine he’s perfected with his father. The conversation is excerpted over at ShockYa, so click here for the read.
The Perfect Family
A putative dramedy centering on the happy-face domestic veneer many of us feel it so necessary to play-act and pantomime, The Perfect Family never locates and communicates a very persuasive reason for its existence, or even a compelling dramatic throughline. As a vehicle for the not-much-seen Kathleen Turner, this indie flick from first-time director Anne Renton, which premiered at last year’s Tribeca Film Festival, is so-so, but that represents the high point of qualified recommendation for this resolutely middle-of-the-road affair, a cinematic “meh” if ever there were one. For the full, original review, from ShockYa, click here. (Variance Films/Certainty Films/Present Pictures, PG-13, 85 minutes)