We Bought a Zoo



Cameron Crowe tries on something of a forcedly whimsical tone in We Bought a Zoo, a well-meaning and sentimental but lumbering family drama that never quite connects. Existing in a kind of wan emotional middle-ground, only occasionally punctuated and illuminated by Matt Damon's winning lead turn, the film is a search for familial rejuvenation and self-renewal in only the vaguest terms possible.

Based on a memoir by journalist Benjamin Mee, We Bought a Zoo tracks closely in its massaged feeling to Marley & Me, which distributor 20th Century Fox had great success with in the same holiday frame in 2008, pushing to $240 million worldwide gross. But while character-driven, tonally commingled qualities have always been a hallmark of Crowe's big screen efforts, this film exudes the feeling of an artist reaching more than halfway to make contact with an audience that market-parsers have told him should be right in his wheelhouse. For the full, original review, from Screen International, click here. (20th Century Fox, PG, 124 minutes)

 

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