How Deeply Do Cell Phones Confound Hollywood?


Rich Juzwiak has gone and done the hard work and heavy lifting for me, putting together a five-minute clip of wonky, non-receptive cell phone calls that spans 66 films over the past... what, seven or eight years? It's a particularly modern problem — isolating characters in a technological era in which isolation is all but obsolete — that screenwriters have labored over and had a lot of difficulty reasonably cracking, but the clip-fest really runs the gamut, from those movies that play it smooth and loose (The Ruins, Turistas) to those that overstate their case (The Hills Have Eyes). The trophy for Most Amusing Write-Around, incidentally, probably goes to Hatchet, for its exclamatory "No bars... I hate the South!" This sidestepping of technology bugs the crap out of me when it's handled badly, sure, but most studio films are only concerned with eliminating cell phones from thriller/horror storylines, and then moving on as quickly as possible. And empty coffee cups are still my number one target.

 

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