Shared Darkness
A Communal Life in Film and DVD, Examined

So Is What Happens in Vegas a Cougar Flick?

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This entry was posted on 5/15/2008 3:55 PM and is filed under Musings.


The $20.1 million opening weekend gross, and second-place finish, of What Happens in Vegas, starring Ashton Kutcher and Cameron Diaz, could and probably should be viewed as a success. Partly because this battle-of-the-sexes romp based on a marketing line isn't very good; its humor is forced and desperate, and the movie (like Sin City itself) seems born of the operating philosophy that more is more. While Kutcher and Diaz generally evince a nice shared chemistry — both have wide, easy smiles, and Diaz in particular that explosive, inside-out laugh of hers — one of the interesting things is the manner in which What Happens in Vegas unfolds, on an almost subliminal level, as an age-gap affair. It's something that could be felt in the theater, amidst kids who feel like they know Kutcher more personally from his television work on Punk'd and That '70s Show, and who know Diaz, apart from her recent SNL appearance in a “cougar” sketch featuring Kutcher, mainly from cable screenings of There's Something About Mary... which is now an astonishing 10 years old.



Also contributing to the film's slippery traction was the general impression — confirmed by several of my regular, mainstream film fan friends — that this Vegas pairing just didn't seem quite right. Kutcher, who just turned 30, is of course married to Demi Moore, who is 16-plus years his senior. He seems a bit younger, though, no matter the facial scruff he frequently sports between films. Diaz, on the other hand, who will be 36 this August, sometimes comes across as a bit older than she actually is. Of course, when A Lot Like Love came out in 2005, five months before his marriage to Moore, Kutcher was 27 and Amanda Peet was 33 — in other words, more of an age difference than the one separating Kutcher and Diaz. That film, though, seemingly faced no such similar silent advance judgment from audiences. For the full piece, from FilmStew, click here.

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