The King of Kong: A Fistful of Quarters

I’ve already mentioned The King of Kong: A Fistful of Quarters, but it’s really worth repeating, the charms of this humorous and involving, to-scale documentary from Seth Gordon. The film centers on family man and middle-school science teacher Steve Wiebe (above right), who’s the
upstart hero of the piece, about the
battle for the Guinness Book of World Records-recognized high score on
Donkey Kong, generally regarded as the most difficult classic arcade
videogame.

Wiebe is a straightforward, earnest guy who bests the long-standing record
for Kong and submits his accomplishment via videotape to a recognized governing body of videogame history and minutiae.
But the old record-holder — a crafty, smirking, self-proclaimed Jedi
Master of gaming turned hot-sauce mogul named Billy Mitchell — doesn’t
plan on going quietly into the night. Protecting his name and record,
he unleashes a fascinating scheme of proxy psychological warfare that
dredges up old grudges between now-adult arcade opponents.

The King of Kong is in equal measure about intrapersonal competition, rivalry
and compulsive obsession
, and it’s for this reason that the project has already been tapped, à la
skateboarding documentary Dogtown and Z-Boys, to be made into a
narrative feature. Though on the surface it sounds wonkish and severely
limited by its subject matter, it’s actually anything but. Director-editor Gordon really knows the value of contrasting and incidental footage (read: letting
characters hang themselves with their own words), and as such The King of Kong
achieves pleasingly squirmy moments of slack-jawed recognition, as well
as some surprisingly affecting beats. The lesson learned, once again?
Life is still high school, just writ large
. For the original capsule review, from CityBeat, click here and scroll down.