Shared Darkness
A Communal Life in Film and DVD, Examined

Evan Almighty

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This entry was posted on 6/22/2007 3:20 PM and is filed under Film Reviews.




A spin-off of 2003’s $480 million worldwide hit Bruce Almighty, Evan Almighty has as its lead certainly one of the hottest comedy stars working today in the form of Steve Carell, of  television's The Office. Still, even filtered through the more forgiving lens of PG-dom, and giving its mash-up narrative conceit (part Mr. Smith Goes to Washington, part Noah’s arc bible story) a hall pass, Evan Almighty is a dispiritingly timid comedy of laid-track laffs.

I say “laffs” instead of “laughs” because there’s so little that’s either surprising or even genuine about this movie — it feels phony, in a rib-nudging sort of way, almost bizarrely, purposefully false. From every pore Evan Almighty exudes the feel of a meticulously corporate-vetted tale, and one so nakedly designed to radiate broad appeal that it ends up being a bore — and a rather predictable bore, at that.

From almost the get-go, Evan Almighty feels like the wrong choice for a spin-off to Bruce Almighty, just in terms of the story and where it’s taken. The smug, pompous Evan Baxter of the first film — a cameo bit player who finds himself the unknowing recipient of frustrated colleague Jim Carrey’s passive-aggressiveness — is completely gone, replaced with a generic-type sitcom dad, struggling to please the wife and kids with family time. Robbed of the comedic tension and opportunities that an erosion of this self-importance would provide, the movie becomes an exercise in visually tricked-out tedium. When Evan Almighty dips into its obligatory  music montage of arc-building mishaps, Carell hits his thumb with a hammer not once, not twice… but three times, because, you know, comedy comes in triplicate. For the full review, from FilmStew, click here.

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