Shared Darkness
A Communal Life in Film and DVD, Examined

Arrested Development: The Complete Third Season

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This entry was posted on 8/18/2006 8:02 AM and is filed under DVD Reviews.


The third and final season of Fox’s gloriously dense single-camera sitcom Arrested Development — the comedic equivalent of Ben & Jerry’s ice cream, except entirely less fattening — hits DVD August 29, marking the official end of its incarnation… on the small screen.

The series revolves around Michael Bluth (Jason Bateman), the proverbial good son and seemingly only sane adult member of the extended Bluth clan. With his corner-cutting, approval-withholding father George (Jeffrey Tambor) perpetually either on the lam or under house arrest awaiting trial, Michael must run the family construction business and try to keep his offbeat family — including, among others, his manipulative, icy mother Lucille (Jessica Walter), self-centered, struggling magician brother Gob (Will Arnett), self-centered, capricious sister Lindsay (Portia de Rossi) and sheltered mama’s boy Buster (Tony Hale) — on the up and up, all at the expense of his own relationship with his 14-year-old son, George Michael (Michael Cera).


The joke writing on the show is top-notch, but it also mixes and folds in all manner of humor, from one-liner zings and double entendres to clever puns and absurdist arcs. What redeems most of the characters’ surface foibles, meanwhile, are a group of actors who understand the material and give the hyper-realistic setting a real sense of investment.

While the ensemble cast is spot-on, and each given emotionally palpable and consistent through arcs, more than any primetime series in recent history, Arrested Development also makes (I guess I’ll have to fight through the pain and start using the past tense) smart, hilarious use of a wild mix of guest stars. This season’s group includes Scott Baio, Judge Reinhold, Justine Bateman, Dave Thomas and Charlize Theron, the latter as a mentally handicapped girl with whom Michael unwittingly strikes up an unlikely relationship. This isn’t taking into account recurring bit players like Henry Winkler as the Bluth family’s chronically inept attorney, Ed Begley, Jr. as a follically-challenged business competitor and Liza Minnelli as a vertigo-stricken neighbor of Lucille’s.

Spread out over two discs in a regular Amray case with a snap-in tray, Arrested Development: The Complete Third Season is presented in 1.78:1 widescreen, only enhancing its cinema-worthy compositions, in which sight gags and visual humor lurk in the backgrounds of frames. (In one especially memorable moment, Michael returns to the company’s offices and — all while talking on his cell phone, advancing the A-plot — wanders past a hobbling employee. We then see a toppled ladder in front of an only partially hung and visible sign reading “Risky Business.” Finally, in the payoff, another shrugging employee wanders by, dressed like Tom Cruise’s sock-sliding character.) The audio is presented in English, Spanish and French language Dolby digital 2.0 surround sound mixes, with optional subtitles in the former two tongues.

A nice assortment of deleted and extended scenes kickstart the supplemental extras. A seven-minute blooper reel includes loads of obscenity-laced gaffes and flubbed lines that devolve into various proffered and solicited sexual favors, as well as Cross surprising guest star Reinhold with use of the word labia. (“So, welcome to Arrested Development,” you hear a crew member say off-screen.) Sans only Tambor, there are three cluttered cast commentary tracks herein, including a slightly pining entry on the finale, all full of good-natured backbiting. There are some very funny moments here (pointing out various visual echoes back to the pilot, assaying Cera’s “headshot pose” in a bedside photo), but it’s a bit wearying to sift through, to be honest. Finally, there’s a seven-and-a-half-minute featurette on the show’s last day on location aboard the Queen Mary, interspersed with more interview footage with Bateman, though not series creator Mitchell Hurwitz. Mitch, how can we believe the sly insinuation of an Arrested Development movie that the finale imparts, via narrator Ron Howard’s cameo, if you won’t flirt with us on camera? A+ (Show) A- (Disc)

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